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Spring 2025

This edition of the Millennium Film Journal is marked, above all, by grief. We felt it painfully during our fall screening at Anthology Film Archives in the immediate aftermath of the 2024 presidential election, and later as wildfires tore through Los Angeles, devastating members of our community directly and irrevocably. Loss is a part of human life, always, everywhere, but today there seems so much to mourn, as wars rage, ecosystems collapse, injustices multiply and worsen, and hopes of humanitarian justice founder.

Excerpted from Nicholas Gamso’s Introduction, MFJ 81 “Dedication” (Spring 2025).

 

 

 

 

 

 

 

This edition of the Millennium Film Journal is marked, above all, by grief. We felt it painfully during our fall screening at Anthology Film Archives in the immediate aftermath of the 2024 presidential election, and later as wildfires tore through Los Angeles, devastating members of our community directly and irrevocably. Loss is a part of human life, always, everywhere, but today there seems so much to mourn, as wars rage, ecosystems collapse, injustices multiply and worsen, and hopes of humanitarian justice founder.

Excerpted from Nicholas Gamso’s Introduction, MFJ 81 “Dedication” (Spring 2025).

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Access our free online articles, video essays, comprehensive reviews, news about the journal, and more!

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Form, Tradition, and Political Documentation at TIFF Wavelengths

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Opening and Opening: The Worldmaking of Ben Rivers

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Through a Lens that Wasn’t My Own: Vernacular Video and the Digital Archive

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EMAF 2022 Continued: Commentary on Selected Works

Read Grahame Weinbren’s European Media Art Festival (EMAF) 2022 online review. This is a continuation of a printed review in MFJ 76 “Worlds”.

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Sara Cwynar’s Baby Blue Benzo

Read this article on Sara Cwynar’s Baby Blue Benzo by Marcus Civin.

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Eno: Always Beginning and Never Ending

Read this review of Eno (2024) by Natasha Chuk.

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Form, Tradition, and Political Documentation at TIFF Wavelengths

Read this Review of TIFF Wavelengths 2024 by Soham Gadre.

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Opening and Opening: The Worldmaking of Ben Rivers

Read this Interview between Hannah Bonner and Ben Rivers.

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