The Bath Magazine February 2023

Our exclusive interview with Bath’s very own

KRIS MARSHALL

on coming home and his latest role on stage at the Ustinov

DESIGN FLOW

Take your pick: organic versus geometric

GUITAR

MAN

On luthiery and why every guitar sounds different

FUTURE TECH

Raising the bar for the region’s creative industries

WHITE CHOC CHEER

Make a luxurious fudgy tortino for your Valentine

Contents

5 THINGS

Great things to look forward to this month• 08

CITYIST We meet Louise Campion, Learning and Engagement Officer at the Holburne Museum • 10

NOTES ON A SMALL CITY

Columnist Richard Wyatt considers cranes and engineering in Bath... • 16

CITY NEWS Up-to-date stories from businesses in Bath • 46

CREATIVE COLLABORATION

INTERVIEW Melissa Blease chats to actor Kris Marshall about his roots, good fortune, and provoking debate with his new play • 18

WHAT’S ON Our monthly guide to all the things to enjoy in and around the city • 24

GUITAR MAN Daisy Game talks to luthier Gary Leddington about building guitars and the woods that define the sounds • 30

ARTS & EXHIBITIONS Here’s our monthly round-up of artistic goings-on• 34

WINE Tom Bleathman takes stock of how sustainability is making itself felt in winemaking • 38

FOOD REVIEW Boho Marché restaurant brings the taste of Morocco to Queen Square • 40

RECIPE Make a White Chocolate and Pistachio Tortini courtesy of Skye McAlpine for your Valentine • 42

IN THE CITY

Emma Clegg talks to Jon Dovey of Bristol + Bath Creative R+D about the five-year mission to bring together creative networks to share knowledge and drive innovation • 48

EDUCATION The latest news and achievements from our local schools and colleges • 54

BOOKS Can the film ever be as good as the book? asks Daisy Game as she considers the latest page-to-screen adaptations • 56

HEALTH & BEAUTY Crystal Rose gets to know her skin and discovers how to transform and maintain it at Eva Clinic • 60

THE WALK Andrew Swift follows the river in search of Bath’s bridges • 64

INTERIORS How do you balance geometric and organic forms and patterns in your home and what is their role in the design process? We consult with our local specialists • 66

GARDENING Elly West considers the merits of the gardens of new-build houses, which offer a blank canvas for creating a personalised green space • 70

FROM THE EDITOR

Musical instruments – unlike paintings, ceramics or other artistic creations – are things that we tend to take at face value, not thinking about how they were made. Take a guitar and imagine its evolution: how was it constructed, what woods were used, and how does the making create that special sonic quality that gives the instrument such captivating power? Daisy Game visited luthier Gary Leddington who makes guitars to commission – he explained his fascination with the instrument and guided her through some of the sonic qualities of different woods (see page 30).

There’s more creativity on page 48 in the form of Bristol + Bath Creativity R+D. I spoke to director Jon Dovey who told me that the five-year project has forged partnerships in Bristol and Bath between a host of smaller companies working in the creative industries, giving them networking opportunities and supporting them to develop their market offer, get further investment, and achieve the greatest success. You’ll also find fascinating profiles of three of the Bath-based projects that have benefitted from support.

There’s excitement on the theatrical front, because actor Kris Marshall spoke to Melissa Blease as he was preparing for his Ustinov show Charlotte and Theodore. Kris has strong roots in Bath, and although he was lured away from the city last year in search of coastline, his heart is still very much here, and he has promised to bring theatrical fireworks to the Ustinov stage – see page 18.

Other must-reads include Daisy Game’s analysis of the latest page-to-screen adaptations (page 56), a delicious White Chocolate and Pistachio Tortini recipe from Sky McAlpine (see page 42), and wise words from our interiors experts on using geometrics and organic shapes and patterns in our homes (see page 66).

Keep the music playing, be creative and bring your own fireworks to February.

More trees for Bath

Communities across Bath and North East Somerset are set to benefit from new trees on local streets to improve the areas and the environment. Following a public consultation in the autumn to decide precise locations for the trees, Bath & North East Somerset Council will plant more than 150 trees in Bath, Keynsham, Saltford, Peasedown St John, Paulton and Camerton by the end of 2023. The new trees will contribute to increasing tree canopy cover across the district and help tackle the climate and ecological emergencies.

They will provide a wealth of benefits for people and nature, underpinned by the ‘right tree, right place’ principle. The project is funded by the government’s Trees for Climate programme and delivered by the Forest of Avon Trust.

englandscommunityforests.org.uk/trees-for-climate beta.bathnes.gov.uk/street-trees-project-consultation/scheme-overview

The Bath Magazine 2 Princes Buildings, George Street, Bath BA1 2ED; 01225 424499 www.thebathmag.co.uk

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THINGS TO DO IN FEBRUARY 5

Get arty

Lisa Todd, the awardwinning artist, print and pattern designer, is exhibiting her work at the Abbey Hotel Bath this February. Lisa grew up in South Africa, which provided the perfect tropical background for the artist’s vibrant decorative style. Lisa’s collection is on display in the Abbey Hotel Bath’s Art Bar until 23 April. lisatoddesigns.com; abbeyhotelbath.co.uk

Sing out

Bach lovers –join Sarah Latto and the Paragon Singers for an inspiring workshop exploring Bach’s iconic motets. Banish the February gloom with a fun warm-up and an uplifting, in-depth exploration of Bach’s genius. Suitable for singers with some experience. £25 (homemade cake included!). The workshop takes place at St Swithin’s Church, The Paragon, Bath on Saturday 25 February, 10.30am –4.30pm. paragonsingers.co.uk

Learn balance

Robun is hosting two wellbeing events during Bath’s upcoming ReBalance festival, starting with ‘An introduction to Traditional Usui Reiki’ on Thursday 16 February, in which Bath’s own Heidi Rearden will deliver a talk on the ancient art of reiki, followed by a ‘Kintsugi Workshop’ on Monday 20 February. With Japanese cuisine so widely celebrated for its healthy balance, Robun has chosen to present these more practical elements of Japanese culture during the festival, both of which are firmly rooted in health and wellbeing. For full event details and to book tickets visit robun-events.giftpro.co.uk

Listen up

Alexander Carson is a nonbinary singer-songwriter /composer based in rural North Norfolk, who spends the majority of their time bumbling around a remote cottage in the woods making obtuse sounds, comforted and accompanied by two ambivalent cats, one over-excited dog, and one long-suffering partner. Carson aims to articulate the absurdity of human existence in their music. This is all presented with a surrealist sense of humour to soften the often melancholic timbre. Carson is playing on 17 February at 8pm at Chapel Arts Centre. Advance tickets £12 (£14 on chapelarts.org

Celebrate music

Wiltshire Music Centre, the world-class concert hall in the midst of rural Wiltshire, is celebrating its 25th anniversary with an ambitious programme of concerts, gigs and special events. On 18 February acclaimed pianist Clare Hammond revels in the folk-inspired musings of Samuel Coleridge-Taylor and Isaac Albéniz’s timeless Iberian portraits. From Clara Schumann’s virtuosic Scherzo to the romance of Beethoven’s Pathétique, this is music to inspire and delight. Tickets £20 / £11 U18s and students (includes £2 booking fee). wiltshiremusic.org.uk

The cityist

NEWS BITES

THE BUZZ

LEARNING AND ENGAGEMENT AT THE HOLBURNE

MY BATH

Louise Campion

Louise Campion is Learning and Engagement

Officer at the Holburne Museum and has been involved in Arts Education for the last 20 years. Having worked as an art teacher and delivered 'arts for health' programmes within schools, she is passionate about supporting creativity and learning.

I live on the northeast side of Bath, on what I call ‘the outer rim’ (for Star War fans!) on the edge of Larkhall and with a wonderful view of Solsbury Hill. I can walk out of the front door straight into the surrounding countryside but still be close enough to the village to pop down to the shops.

I have lived in Bath for 28 years. I was brought up near Glastonbury, went to school in Wells and then Strode College, so I’m a real west country girl. I liked the alternative, creative energy in Bath and the ancient history of Aquae Sulis, the Vale of Avalon and the Somerset levels… and the cider!

The Holburne Museum offers an awardwinning learning and engagement programme of creative workshops, large-scale events, summer camps, free museum trails, art classes and regular school group visits.

The aim of the programme is to reach audiences who might not otherwise have the chance to engage with art, because of economic or other barriers. Access to creative activities and art for young people has become more challenging in recent years and the museum is determined to continue to provide these opportunities all year round.

‘Space To Make’ is a self-led creative area on the ground floor of the Holburne. The space encourages families to enjoy free creative activities, inspired by the current exhibitions. The activities are carefully designed and are outside the ‘paywall’ of the museum so anyone can participate.

The Holburne can only deliver this programme through the support of donors and Trusts and Foundations. If you would like to offer support, please contact the Holburne or visit: holburne.org/support-us

I studied English and History and qualified as a secondary school art teacher, teaching and then working on several projects as part of B&NES School Improvement Team. I became increasingly interested in PSHE (Personal, Social, Health and Economic curriculum) and the pastoral side of education. Much of my work in schools and the community has focused on approaching conversations around mental health, relationships and drugs and alcohol through creative activities. Starting from ‘hands-on’ making is a great way to engage people and have honest conversations.

I was brought up in a creative village with great female role models. My grandmother was an artist and embroiderer, and my mum is a skilled seamstress and maker. My childhood experiences of putting on plays, creating sculptures and being encouraged to realise ambitious, creative ideas empowered and excited me. I think every child (and adult) should have the opportunity to see how it feels to express themselves through art, music or movement. The experience can be profound, connecting us to other people through shared understanding and lived experience.

As Learning and Engagement Lead at the Holburne it has been a privilege getting to know the collection and the stories behind the objects. The Holburne is unique in Bath as a museum with a historical collection and an exciting arts venue with changing exhibitions. For an arts-based practitioner like me this combination provides so many

exciting possibilities –there’s always something new and inspiring happening!

Managing our social-prescribing programme ‘Pathways to Wellbeing’ has been a highlight of my role. I have witnessed the power of creativity to promote mental health and wellbeing first hand. I’m very proud of our team and the way we’ve built inspiring, safe, calm and non-judgmental spaces for people from all walks of life.

I’m passionate about inclusivity and am aware that there are plenty of barriers which stop people from visiting museums and art galleries. We’re consulting with and involving people more than ever so our programming is more responsive. For example in the last year we’ve developed a Partner Schools programme, working with six local schools to reach children (and their families) who might never have visited a museum. Our partners enjoy free school workshops and admission during school holidays, plus access to our new ‘Museumin-a-box’ loans objects, full of exciting handling objects.

I spent some time as a secondary school teacher. From this I learnt that children can spot your weaknesses and fears within five minutes of meeting you! And that the attention, care and support that individual teachers give can make a difference to a child’s life. Also that schools can provide security, safety and a sense of normality for children who do not experience these things at home.

The countryside is never far away when you live in Bath. Apart from long walks chatting with friends, I’ve cycled the two tunnels, gone wild swimming and visited friends’ allotments to admire their home-grown veg!

My plans for the year ahead are to develop the Holburne’s offer for our neurodiverse visitors so that we have more in place to support access to and enjoyment of the collection, building and activities. ■

Pathways to Wellbeing: holburne.org/learning/communityengagement/pathways-to-wellbeing/

City updates

A concert of warmth and light

A fundraising concert at Bath Abbey on 24 February will help send generators to the city of Oleksandriya, a Ukrainian city which has built ties of friendship with communities in Bath and North East Somerset.

The fundraising appeal, started by the Friends of Oleksandriya, is supported by B&NES Council, the Rotary Club of Bath, schools across the region and both universities. It has already enabled 13 generators to be delivered and these are now helping to provide warmth and light to kindergartens and schools. With temperatures in the city plunging to minus 11 and with lower temperatures expected, there is an urgent need to get more of the larger size generators to help provide power for their children’s hospital and general hospital.

Bath Abbey is hosting A Concert of Warmth and Light on 24 February at 7pm, the first anniversary of the Russian invasion into Ukraine. This will feature local Ukrainian singer, Nicole Medin, a voice telling a story evoking the desperate plight of the Ukrainian people. She will be joined by children’s choir Voices for Life and by two local choirs, Canzona and the Trowbridge Philharmonic Choir.

Former Mayor of Bath, Marian McNeir MBE, who is helping to organise the concert, wants to see the Abbey full to bursting. Zhenya Shkil is a local resident of Ukrainian origin and the founding member of Friends of Oleksandriya. She says, “The people of Oleksandriya have shouldered so much throughout the last year and this is our chance to help them.”

Tickets (£10, £20 and £30) are on sale at bathboxoffice.org.uk

25 years for Wiltshire Music Centre

Wiltshire Music Centre in Bradford on Avon, the “world class concert hall” in the midst of rural Wiltshire, is celebrating its 25th anniversary this year with an ambitious programme of concerts, gigs and special events for all the family.

The 2023 Spring and Summer international music season opens on 3 February with flamenco guitarist Juan Martín. Other highlights include Polish cellist Maciej Kulakowski on 8 February, folk star Eliza Carthy and her band The Restitution on 12 February, Nigerian-Scottish trumpeter Aaron Azunda Akugbo on 10 February, pianist Clare Hammond on 18 February, and folk band Blazin’ Fiddles on 3 March. There is also a more experimental and cutting edge series of music, including Riot Ensemble (24 February) who will give a World Premier of a new work by young British female composer and electronic performer Jasmine Morris. This concert will also feature music composed by young people around Bradford on Avon during Riot Ensemble’s ground-breaking residency.

Family events at the Centre include My Science Fair (12 March), Hairy Maclary’s Adventures (14 April) and Noisy Nature (30 April).

Events named here are just a small selection of what’s on offer. Check the full programme out at wiltshiremusic.org.uk

Engineered in Bath

Were you aware that an engineering world of expertise and brilliance flourishes within our city? This exhibition at Bath Royal Literary and Scientific Institution (BRLSI), running from 11–18 February, is packed with information about the innovative developments within this vital sector of our economy, showcasing hardware and software products in an exciting and cutting-edge collaboration with engineering companies in Bath.

BRLSI, a cultural centre in the heart of Bath, has worked with key people from local engineering companies to create this free week-long exhibition designed to appeal to curious minds of all ages. It will feature world-renowned work in aerospace, automotive, energy, defence, security, digital technology and medicine. Explore which local companies contribute to the creation of new ships, aeroplanes, racing cars, Olympic stadia, visual reality and much more.

If you have any would-be engineers, some mini Elon Musks or Marissa Mayers among your kinfolk, then this is the opportunity for them to discover what being an engineer involves. There will be plentiful information available on careers in the industry and top experts in attendance will help guide visitors towards their first steps in the world of engineering.

Engineered in Bath: innovative hardware and software, 11–18 February, 10am–4pm, except Sundays, BRLSI. 16 Queen Square Bath. brlsi.org

Rugby painting recreated by Bath artist

To coincide with this year’s Calcutta Cup clash on 4 February, a new painting is being unveiled at the World Rugby Museum. Commissioned by Oliver Donovan and painted by Bath artist Robert Highton, the artwork recreates a famous lost painting from 1889.

A Football Match, Scotland v England depicts a rugby match played in Edinburgh in 1886. The painting was a collaboration between two artists, William Heysham Overend and Lionel Percy Smythe. The match was characterised by frequent attacks from the Scottish backs met by strong English defence, and the result was a scoreless draw.

Oliver was struck by the role the image could have played in popularising rugby in France. “It has inspired so many to take up the sport and it’s one of the most well-known rugby paintings ever created.” Rob researched the artistic style and the history of the game depicted. He learned about the cold snap that delayed the fixture and reflected this in the painting, where the breath of the players can be seen in the cold air. Recreating the original painting was quite a challenge, with no original to copy. Rob worked from enlarged photographs kindly provided by the Scottish Rugby Union, which has its own reproduction of the original painting. The new painting is on long-term loan to the World Rugby Museum and will be on display from 4 February. robhightonart.com; worldrugbymuseum.com

NOTES ON A SMALL CITY

Richard Wyatt

Bath has always taken pride in its past through its famous architecture. Now there is an industrial dimension to our city’s heritage, revolving around cranes, engineering and an inventive building restoration, says columnist Richard Wyatt

There’s another side of the ‘coin’ when it comes to Bath’s first award of World Heritage status –inscribed by UNESCO back in 1987. One of the reasons for the accolade was the international recognition of our Georgian architecture and social history which grew out of the city’s prime occupation as a spa resort offering the wealthy an astonishing new collection of fine Bath-stone-built avenues and crescents to accommodate them.

We are still financially grateful to have our tourist ‘industry’ as a major source of income, but the original meaning of the word is wrapped around economic activity concerned with the processing of raw materials and the manufacture of goods in factories. That side of our local business has not been much lauded –that is, until now.

Hundreds of people toiled underground hewing the stone to build Georgian Bath. Hundreds more were to be employed at a local engineering factory which was to build for itself a worldwide reputation for making cranes. It’s a mechanical lifting device that would have been needed to shift those huge blocks of locally quarried limestone onto carts, canal boats and trains.

In March one of the oldest surviving cranes of its type will officially return to the place of its birth as a fitting memorial to the location of the famous engineering firm of Stothert & Pitt, described by Historic England as “the most famous crane makers in the world”.

This brings home a relic of Bath’s manufacturing heritage and will be the happy conclusion of years of effort and fundraising by a group of volunteers, including two former Stothert & Pitt employees, to restore a machine that spent its working life in the stone quarries of Box in Wiltshire. It dates from 1864 and is thought to be the oldest surviving crane built by Stothert & Pitt in the world.

The ‘resurrected’ crane is not the only way the city is finally coming around to acknowledging its working life alongside its Georgian elegance. This symbol of an industrial past won’t stand in isolation. Not all of the mighty engineering enterprise that was Stothert & Pitt has been swept away. Wisely, B&NES Council decided to allow the derelict remains of the once-famous Newark Works to form a major part of its Bath Quays enterprise zone AND the city’s economic future.

The Grade II listed complex has been carefully and sympathetically restored by regeneration specialist TCN and transformed into flexible office spaces that can accommodate anything from single co-workers through to companies of up to 40 staff. Everywhere you look there are echos of the building’s former past. Black-and-white photographs show the original

empty shell, now brilliantly incorporated into the flagship redevelopment. Everywhere there is bare brick, original flooring and wooden beams. The remains of an overhead factory crane hook hangs down now over a coffee bar, lounge area and ping pong table.

Meeting places are named after famous types of crane like Goliath and Hammerhead. Glass is etched with the outlines of more modern dockside specimens still found in ports around the world.

I was lucky enough to be shown around and meet some of the people already moving in. The irony wasn’t lost on me that some of these were locally based start-up companies planning a business future in what was itself a Bath-based Victorian start-up enterprise.

Among those joining me on the tour was Simon Martin, the Director of Regeneration and Housing for B&NES. He told me: “Bath has few opportunities to celebrate its industrial heritage but this project is showing what Bath did for the UK and the world. I think we have struck the right balance between illustrating the historical importance of the building and its future use as an employment site.”

The renovated and reinvigorated building is joined on this new business quarter with a newbuild office block. No 1 Bath Quays has already welcomed two expanding local companies, with other lettings under serious discussion. Simon Martin explained: “Together, both enterprises could be looking to provide one thousand new jobs for the city.”

One of those businesses re-deploying from elsewhere has had to persuade its workforce to commute from other towns to Bath. They have been helped in this by the new pedestrian and cycle bridge that links this new business area with bus and rail transport hubs and the city centre.

This new link across the River Avon will have its official naming, and opening, ceremony in March. Old and new coming together to point a way forward for business in the city –while also utilising and celebrating the past. n

The crane dates from 1864 and is thought to be the oldest surviving crane built by Stothert & Pitt in the world

Charlotte and Theodore

Lotty and Teddy are two dreamers wanting to make a difference in their worlds –but can they do this on an academic campus? Melissa Blease chats to Bath boy Kris Marshall who joins Eve Ponsonby in a two-hander at the Ustinov

Where did your long-standing relationship with actor Kris Marshall begin? It may have been 23 years ago, when the long-running BBC sitcom My Family became part of our families and introduced us, along the way, to Ben and Susan Harper’s eldest son Nick, an affable, laid-back layabout with a heart of gold who reflected the air of almost surreal anarchy that only the most interesting characters bring to family life.

Or perhaps Marshall melted your heart as super-loveable Colin in Richard Curtis’s 2003 Christmas rom-com Love, Actually: when Colin packed his bags and took off to America in search of a woman who would see his bungling ‘Britishness’ as a perk rather than an impediment, legions of women across the UK slumped in their cinema seats and secretly wished he’d stayed put, with them.

Or perhaps quirky crime/comedy drama Death In Paradise sealed your fate: when Marshall joined the plot as DI Humphrey Goodman in 2017, his tricky, largely unrequited love life proved to be as captivating as the crimes he almost preternaturally solved.

Oh, but there’s yet more – much, much more – on Marshall’s CV: multiple, highly acclaimed stage roles including Treats opposite Billie Piper (which opened at the Theatre Royal Bath in 2007 before transferring to the West End); the London revival of Glengarry Glen Ross alongside Christian Slater; a stint as Tom Parker in British historical drama TV series Sanditon; Samuel Pepys in the BBC Radio 4 dramatisation of his 17th-century diaries... and now, he’s preparing for a lengthy residency at the Ustinov, starring with Eve Ponsonby in the world premiere of Ryan Craig’s taut two-hander Charlotte and Theodore, which is poised to introduce us to an as-yet-unseen Kris Marshall

altogether. But before we move on to explore Kris’s Teddy, I have to ask – is Kris the busiest, most adaptable actor on the planet?

“I’ve never really thought of myself as that!” he says. “The way I see it, I’ve just been very lucky; I’ve been doing what I do now for what, 30 years?”

Okay, there’s a certain amount of good fortune involved in any successful career. But there’s surely more to Kris’s success than that? “Okay, luck has been strongly involved, but I guess I’ve worked pretty hard at what I do. I bang on doors, I don’t take no for an answer, and I’m generally good at making a nuisance of myself, so that’s helped as well. I think perseverance and tenacity are, in my world, a virtue – they have to be. But I know I’ve been fortunate too, and I want to acknowledge that. And my work has allowed me to travel to the kind of amazing places that, especially when you're young, are dream locations. But I try not to travel too far away now – my wife and I have two children, aged 10 and 7; they’re a force of nature, but they’re amazing! And basically, I just want to hang out with them, at home, as much as I can.” And for many years, home, for Kris, was here in Bath.

“I’m a proper Bath boy, born in St Martins before growing up in Corsham, Wells, and in and around the city,” he says. “My wife and I moved back to Bath when we had kids, but we relocated to the New Forest last year, basically as lifestyle choice. When I’m not working, I’m all about just enjoying myself as much as possible – I’m big into sailing, surfing and skiing... oh, and Scrabble! All the S-words, really. As much as I love Bath, there’s not much in the way of coast there! So now we’re a 10-minute drive from the beach and a five-minute drive from the forest, and I love it. But I’m looking forward to spending five weeks back in Bath, and I’m really looking forward to working at the Theatre Royal again – I’ve done the main house, but never the Ustinov, so I can’t wait.” And the play – and the role – that Kris can’t wait for promises to bring all manner of explosive theatrical fireworks to the tiny Ustinov stage.

“The play’s writer Ryan Craig is a very old friend of mine, as is his brother Dean,” says Kris. “I’ve been friends with Ryan since I did one of his very first plays: Happy Savages at the Lyric, Hammersmith, back in 1988. But I haven’t worked with him since then, and I know that the Ustinov is the best place for his new one. It’s a brilliant space, especially for two-handers; it’s direct, and intimate, and we have the time to really bed the play in, and make a home there. I’m really excited about it, but I’m slightly daunted too, as it’s a monster of a part, and I’ve got to get it right, because I can’t blame the writing if I don’t!”

So what does the ‘monster of a part’ involve? “Without giving too much away, it’s basically about two professors on a campus of a small but illustrious UK university. Charlotte (Lotty) started off being Theodore (Teddy’s) assistant, but they got together, got married, had kids. We follow them over the whole trajectory of that ten-year process, jumping forward and backwards in time,

The Ustinov is a brilliant space, especially for two-handers; it’s direct, and intimate, and we have the time to really bed the play in, and make a home there

exploring the power dynamics within a relationship between two people working in the same field, all played out against a backdrop of the world we live in, and what’s happening on university campuses right now: the new generation’s perspective of the old guard in terms of free speech, cancel culture, the rise of the individual, and more. It’s a brilliant, strong play.”

… and it sounds as though we may be on controversy territory? Unusually, given the pace of our conversation so far, this question gives Kris pause for thought. “Put it this way,” he says; “I once overheard a BBC journalist say, ‘look, I’m not here to make opinion, I just ask the questions – and that’s how I'm going to answer your question.’ The play definitely asks its own questions, but I’d hasten to shy away from the word controversial. It’s debateprovoking, and there are controversial themes to consider. But for me, I think it’s really about provoking dialogue – and all art, ultimately, is about provoking discourse. But it’s also very funny, and quite acerbic, and heartbreaking too; it covers a whole spectrum, and a whole gamut of places to go as an actor.”

Ah, back to the art of The Craft. “It’s too easy to say that I prefer stage when I’m doing film and film when I’m on stage, but that wouldn’t be entirely true,” says Kris who, unlike many of his peers, started off in good old-fashioned repertory theatre rather than taking the now-conventional drama school route.

“I was probably one of the last actors of my generation to start off in rep, but it proved to be a really good training ground for life in the theatre, which is where my roots remain even though I don’t go on stage that regularly these days. It’s not a planned thing, but I seem to go back to live theatre every five years; a repetitive pattern, in a nice way – a circle of life thing, a good rhythm. But I have to

say, the older I get, the scarier I find live theatre, and not just because of the passing of the exuberance of youth. But I’ve learned to take care of myself, and hopefully I’ll find the process as enjoyable as I did when I was younger. Looking back and seeing yourself visibly age on screen isn’t the nicest thing – and I’ll be turning 50 soon!”

Hang on, Kris! You don't look a day over – well, certainly anything close to 50! “Really? Oh, too kind! But if that’s true, well, I’d say that’s down to just doing a job I love, and enjoying my time off, and not taking life too seriously. And I moisturise regularly! Like the song says: wear sunscreen!”

And as the sun sets on our chat, our conversation turns back to the place where Kris and I began: “I’m a very lucky man,” he says; “I really, really am.”

And we’re lucky that our long-standing relationship with Kris Marshall is set to strengthen in the most fortuitous way.

The play definitely asks its own questions... but for me, it’s about provoking dialogue –and all art, ultimately is about provoking discourse

TRUE ROMANCE gift guide

Knickers and nature

From Bedstraw + Madderthe sustainable fabric company committed to reducing toxic chemicals in clothing is a collection of plant dyed, regenerative organic cotton knickers. Simple and beautiful, shown here is the lilac rose knicker, £18. See more and shop online at: bedstrawandmadder.com

A little kiss

The classic Little Kiss collection couldn't be more romantic! Pop into The Silver Shop to find the perfect gift for the perfect person in your life. Shown here: Little Kiss sterling silver earrings, £35 and sterling silver necklace, £49. The Silver Shop of Bath, 25 Union Passage, Bath, BA1 1RD Tel: 01225 464781

Visit: thesilvershopofbath.co.uk

Say it with flowers

From Jody Cory’s Wild Meadow collection - say ‘I love you’ with flowers. This 8 leaf sterling silver pendant necklace, £145, is also available in gold, £295. Jody Cory, 9 Abbey Churchyard, Bath BA1 1LY Tel: 01225 460 072 Visit: jodycory.co.uk

The gorgeous shortie

By exquisite lingerie brand Marjolaine, this marvelous Pearle nightie with its stunning lace back and beautiful ornate detail is a real gem on your curves. In 19 momme silk and lever’s lace bias cut slip in a soft shade of colour. Pure elegance and will feel simply fantastic. £317.

Find this and many more at The Dressing Room, 7 Quiet Street, Bath BA1 2JU

Tel: 01225 330 563

Visit: dressingroombath.com

Wear the heart is

Celebrate your loved ones with hand-stamped sterling silver heart necklace set with a diamond, personalised with up to three characters. Free shipping and personalised note inside the gift box. £145. Honey Willow, 8 Pulteney Bridge, Bath BA2 4AX. Tel: 01225 422 339 Visit: honeywillow.com

With love from Mallory

Watermelon tourmaline ring

Set in gold, this watermelon tourmaline ring is eye catching with its green to pink gradient and a one-ofa-kind piece. What a gift for someone who loves statement fine jewellery and colour. £1,650. Gold & Platinum Studio, 19 Northumberland Place, Bath BA1 5AR Tel: 01225 462300

Visit:goldandplatinumstudio.co.uk

Happy Sport by Chopard

With diamonds and hearts sealed in the crystal glass that magically float around the watch face, the 36mm Happy Sport watch in steel is a joy to possess and to love. £6,050

Rubies & diamonds

Mallory’s 18ct white gold claw-set pear shaped ruby and round brilliant-cut diamond halo cluster stud earrings - £1,300

Happy Hearts scarf by Chopard

Measuring 90cm x 90cm this Happy Hearts navy blue, silk twill scarf by Chopard will look great on the neck as well as a hair accessory. A chic and timeless addition to any wardrobe. £329

See these and many more great gifts at Mallory Jewellers in Bath. 1-5 Bridge Street, Bath BA2 4AP Tel: 01225 788 800

Visit: mallory-jewellers.com

WHAT’S ON

MUSIC AT GREEN PARK BRASSERIE

n Green Park Brasserie, Green Park

Enjoy live jazz/funk/soul/swing at Green Park Brasserie on Weds and Thurs from 6.30–8.45pm and Fri and Sat from 6.30–9.45pm. Music includes dynamic duos, modern trios and a Hot Club style quintet. greenparkbrasserie.com

JAZZ SUNDAYS AT IFORD MANOR

Sundays, music 12–2pm

n Iford Manor Kitchen

Enjoy fantastic, live jazz from top musicians alongside a delicious, leisurely lunch prepared by awardwinning Head Chef Matthew Briddon and team. Food sustainably and locally sourced, much reared, grown and foraged on the Iford Estate. See website for details of performers, menu and to book. ifordmanor.co.uk/sunday-jazz-lunches

STARGAZING TOURS

Select Fridays (see Bath Abbey website for more details)

n Bath Abbey

Join the Bath Abbey team for live stargazing at the top of the Abbey’s tower, with the opportunity to see the Threads Through Creation exhibition after hours. Tickets via Eventbrite or through the Bath Abbey website. bathabbey.org

WHO’S AFRAID OF VIRGINIA WOOLF?

Until 11 February

n Ustinov Studio, Saw Close, Bath

A new production of Edward Albee’s scintillating drama, with the cast led by Hollywood stars Elizabeth McGovern (Downton Abbey, Ragtime) and Dougray Scott (Enigma, Mission: Impossible 2). Tickets from £27, available at theatreroyal.org.uk

THREADS THROUGH CREATION EXHIBITION

Until 19 March

n Bath Abbey

Bath Abbey is playing host to the vibrant works of textile artist Jacqui Parkinson. Jacqui’s Threads Through Creation exhibition is an astonishing display of 12 huge (nearly three metres high and four metres wide) embroidered panels, inspired by the book of Genesis. The Abbey has put together an extensive programme of events (including services, lunchtime talks, and stargazing tours) to accompany the exhibition. bathabbey.org

THE ARTS SOCIETY BATH: FEBRUARY LECTURE

6 February

n Widcombe Social Club, Widcombe Hill | Zoom

This lecture explores the achievement of the masters of Art Nouveau glass –Émile Gallé, Louis Comfort Tiffany and René Lalique. To book a place as a guest (£10 in venue or £7 on Zoom) and for payment details, contact the society on bath@theartssociety.org. The Society welcomes new members; learn more at theartssocietybath.com

THE SHOCK OF THE OLD

9 February

n The Rondo, St Saviours Road, Bath Getting old in the 21st century is more complicated than it has ever been, believes songwriter and author Terence Blacker: a fact he celebrates with guitar, ukulele, songs and stories in his funny and irreverent new show. Tickets £15 (plus booking fee) available at rondotheatre.co.uk

A NIGHT AT THE OPERA

10 February, 7pm

n Bath Abbey

Relive the drama and romance of your favourite opera tunes in the magical setting of Bath Abbey as Abbey soloists and choirs perform opera greats such as Nessun Dorma, Dido’s Lament, Verdi’s Chorus of the Hebrew Slaves, ‘the humming chorus’ by Puccini and many more. Gala ticket: Stars & Bubbles, £25 (includes a trip up the tower to view the Bath skyline, a glass of prosecco, and VIP concert seats); Concert Only ticket, £15 / Child 16 and under £7.50, available at bathboxoffice.org.uk

BATH PHILHARMONIA

VALENTINE’S NIGHT CONCERT WITH JANEBA KANNEH-MASON

14 February

n Bath Forum

A concert for Valentine’s Night to fall in love with, featuring some of the most passionate music ever written for orchestra, including Masacagni’s beautiful Intermezzo (featured in the films Raging Bull and The Godfather III) and the Prelude and Leibstod from Wagner’s opera Tristan and Isolde (Baz Luhrmann’s Romeo & Juliet).

Jeneba Kanneh Mason will play Rachmaninov’s iconic 2nd Piano Concerto: the soundtrack to David Lean’s film Brief Encounter. Tickets from £25, available from bathboxoffice.org.uk

VALENTINE’S DAY AT GREEN PARK BRASSERIE

14 February, music from 6.30pm

n Green Park Brasserie, 6 Green Park Road

Soak up live jazz and candlelit dining at one of Bath’s most popular independent restaurants, Green Park Brasserie. Bookings can be made online at greenparkbrasserie.com

UNIVERSITY OF BATH GARDENING CLUB: LIBERTO DARIO: NEW GREEK PLANTS FOR ENGLISH GARDENS

15 February

n Room 1 Level 1, East Building, University of Bath

Athens resident Eleftherios Dariotis, the Liberto Dario of Facebook, is a horticulturalist and botanist who trained at California and Reading Universities. He will be talking about plants from his native land that we could successfully use in our own gardens. Open to all, Membership £20, Visitors £6. ubgc.org

BATH OPERA PRESENT: THE MERRY WIDOW

16–18 February, 7.30pm

n Roper Theatre, Hayesfield Girls School, Upper Oldfield Park

An operetta by Franz Lehar, set in Paris in 1905, The Merry Widow is a tonic to lift the spirits in midwinter – a glorious evening of romantic love rediscovered in the midst of pomposity, avarice and mistaken identity, bound together by sumptuously beautiful music, enthusiastic dancing and witty dialogue. Tickets £20–30, available from bathboxoffice.org.uk

THE BABY & TODDLER SHOW

18–19 February

n Bath & West Showground, Shepton Mallet

Don’t miss this incredible pop-up shopping event with an unbeatable line-up of big name brands, unique innovative products, local services and free baby-first aid workshops. To book a free pair of tickets worth £32 with code BATH41, and to find out more information about what’s on at the show, visit babyandtoddlershow.co.uk

MEN’S HEALTH: DISPEL THE MYTHS AROUND PROSTATE PROBLEMS

21 February, 6–8pm

n Cumberwell Golf Club, Bradford on Avon

Do you suffer with urinary frequency, increased urgency, irregular flow, weak stream, or straining? Discover more about minimally invasive treatments to alleviate these symptoms at this free informative information evening with leading experts from Sulis Hospital. Limited places; contact vicky.botsford@sulishospital.com to pre-book, or call 01761 422288. sulishospital.com

WINE DINNER: AZIENDA AGRICOLA I FAVATI, HOSTED BY ROSSANA

PETROZZIELLO AND DAUGHTER CARLA

22 February

n La Terra, 2 John Street, Bath

Situated in the village of Cesinali East of

A new festival of wellbeing in our spa city

ReBalance Bath, the brand-new wellness festival, is bringing together venues, hotels, therapists, and practitioners for a threeweek celebration of wellness and the city’s connections to thermal waters for residents, city-centre workers and visitors to enjoy, from 7–26 February.

The ReBalance Bath programme, now live for bookings on Bath BID’s Welcome to Bath website, includes many free events and taster sessions alongside luxury spa hotel packages and bookable activities. Centred around the seven pillars of wellness: physical, mental, social, financial, spiritual, vocational and environmental, highlights include a launch event on Tuesday 7 February at Walcot House, celebrating and exploring Bath’s future as a wellness city.

With other events ranging from laughter yoga, motivational and wellness talks and a kintsugi workshop to a men’s mental health talk, a lifestyle reset package and a love your dog walk day, you can choose your own route to connecting with your healthier self.

Local girl, former skeleton racer and Olympic gold medallist Amy Williams MBE is ReBalance Bath’s Ambassador and she will be speaking at the festival’s launch event on 7 February, as well as hosting several of her own events including a talk at Topping & Co. on her new book Talent to Triumph – a book that guides us through the entire sporting journey, using her own experiences and those of some of Britain’s greatest athletes. welcometobath.co.uk/rebalance-bath-wellbeing-festival/

Naples in one of Italy’s most exciting and innovative wine regions. The proprietors of family-run estate I Favati have selected the finest vineyards in which to nurture this region’s unique, indigenous varietals. There will be drinks on arrival at 7.30pm, followed by a four-course dinner. Matching wines will accompany each course. £78 per person. laterra.co.uk

BATH ART FAIR

25 February, 10am–6pm; 26 February, 10am–5pm

n Bath Pavilion

Bringing together over 90 of the most innovative and exciting professional independent artists from all over the country and Europe. Find original paintings in all manner of media, vibrant and extraordinary. Prices are competitive with limited edition prints starting from £30 and original paintings from £99. Tickets £7 or £8 on the door. bathartfair.co.uk

REAL BIBLE BELIEVERS :

TALK LED BY DR GENE KIM

28 February, 6.30–9.30pm

n Roper Theatre, Hayesfield Girls’ School

A talk by Dr Gene Kim from Real Bible Believers | Preaching and Teaching. Parking available at Hayesfield School, Brougham Hayes (5–7 minute walk away from Hayesfield). Free event. biblebelievers.co.uk

BATH FILM SOCIETY

IN THE HOUSE

10 February, 7.30pm

n BRLSI

Middle-aged, caustic Germain teaches literature at the École Gustave Flaubert, in an unnamed French town, where he takes a young writer under his wing –triggering some unforseen circumstances.

THE BREADWINNER

24 February, 7.30pm

n BRLSI

The Irish animation studio Cartoon Saloon co-produced this engaging feature set during the first (1996–2001) period of Taliban rule, in which Afghan life is seen through the eyes of 11- year-old Parvana, who must disguise herself as a boy to support the family after her father is unjustly arrested.

To join Bath Film Society, contact the Membership Secretary: mail@bathfilmsociety.org.uk | bathfilmsociety.org.uk

Continued

The Arts Society Bath

Invites you to join our March lecture

What really happened in the Bateau Lavoir? Picasso in 1900s Paris

The poverty, crowds, artists and performers of Paris transformed Picasso from a precocious, talented teenager into a charismatic leader of the young Turks. Together with his intensely disturbing “Les Demoiselles d’Avignon”, he almost single-handedly unleashed the 20th century's cultural revolution.

Lecturer: Hilary Guise

On Monday 6 March 2023 at 11.30

At the Widcombe Social Club and Live streamed on Zoom

To book a place, as a guest, (£10 in venue or £7 on Zoom) and for payment details please contact us on bath@theartssociety.org by Friday 3rd March

We welcome new members, to learn more please visit our website: https://www.theartssocietybath.com

LOOKING AHEAD

U3A MONTHLY TALK: SPACE EXPLORATION –OUR PLACE IN SPACE

2 March

n Bath Pavilion, doors at 9.45am for coffee | 10.30am start

Talk led by Jo Richardson, who is an ASERO – UK Space Ambassador. Admission is free for members but a donation of £2 for non-members. If you join U3A in Bath at the meeting then your admission fee is refunded. u3ainbath.uk

GUS CASELY-HAYFORD: MAKING A MUSEUM, CRAFTING A NEW V&A FOR EAST LONDON

2 March, 7pm

n Holburne Museum

Gus Casely-Hayford, Director of V&A East, will talk about one of the world’s most significant new museum projects, comprising of two sister sites currently under construction in Queen Elizabeth Olympic Park, London. As a platform for new kinds of creative excellence, V&A East will strive to shift the canon and celebrate work that demonstrates the dynamism and complexity of global creativity, highlighting under-represented movements and voices. £15. holburne.org

NATURALLY SCENTED SOAP WORKSHOP

3 March, 9.30am–4.30pm

n Iford Manor Kitchen

Learn to make traditional cold process, vegan soap using natural ingredients, under the tutelage of Cat Lannin from Herbal Harmony. Make and take home two different soaps (approx. 10–12 bars). A comprehensive and fun day out. A two course a la carte lunch from Iford Manor Kitchen is included. ifordmanor.co.uk/workshop/soap

HELLEBORES GARDEN OPEN DAY

5 March, 2–4pm

n Kapunda, Southstoke Lane, Bath

A stunning display as seen on the BBC’s Gardeners’ World with plants for sale. Tea and homemade cakes available. £5 entry; Supporting Dorothy House and The Wessex MS Therapy Centre. kapundaplants.co.uk

THE ARTS SOCIETY BATH, MARCH LECTURE:

PICASSO IN 1900S PARIS

6 March, 11.30am

n Widcombe Social Club, Lower Widcombe Hill / Zoom

Hilary Guisegives a lecture on how the poverty, crowds, artists and performers of Paris transformed Picasso from a

precocious, talented teenager into a charismatic leader of the young Turks. To book a place as a guest (£10 in venue, £7 on Zoom) and for payment details, contact the society on bath@theartssociety.org by Friday 3 March. theartssocietybath.com

BATH DECORATIVE ANTIQUES FAIR

9–11 March

n Bath Pavilion

Heralding Spring in Bath, the celebrated Bath Decorative Antiques Fair returns to The Pavilion with a bevy of regular and debut exhibitors who will deck their stands to surprise and enchant with alluring decorative and country house furniture and accessories for the home and garden. Tickets at bathdecorativeantiquesfair.co.uk

HELLEBORES GARDEN OPEN DAY

12 March, 2–4pm

n Kapunda, Southstoke Lane, Bath The second of Kapunda’s Hellebore Open Garden Days; a stunning display as seen on the BBC’s Gardeners’ World with plants for sale. Tea and homemade cakes available. £5 entry; supporting Dorothy House and The Wessex MS Therapy Centre. kapundaplants.co.uk

LONDON SYMPHONY ORCHESTRA WITH BARBARA HANNIGAN

13 March, 7pm

n Bath Forum

As a singer, there’s nothing Barbara Hannigan can’t do, and as a conductor she drives straight to the places that other musicians wouldn’t dare. She’s been called ‘an artist who shoots straight for the heart and never misses’, and here the LSO’s Artistic Associate stars as both conductor and vocalist in a concert charged with wonder. Join the LSO as they perform blissful works from Mahler and Messiaen, presented by Bristol Beacon. Tickets from £15 (limited tickets at £10 for under 26s) available at bristolbeacon.org

EELS: LOCKDOWN HURRICANE

28 March, 6.30pm

n Bath Forum

A musical project that weds a rich variety of off-kilter pop influences with deeply personal lyrics often obsessing over the darker sides of human experience, Eels is the rubric used by singer, songwriter, and musician Mark Oliver Everett (aka E) for the music he creates with a rotating group of collaborators. Tickets £35 (plus booking fee) available at bathforum.co.uk n

Guitars and sonic soup

Daisy Gamechats to luthier Gary Leddington about the joys of building a guitar...

The main two types of wood that people build guitars from are Rosewood and Mahogany. Mahogany tends to be sweet, but maybe a bit trebly, and Rosewood tends to be a little darker...”

Listening to guitar ‘luthier’ (guitar maker) Gary Leddington talk about his materials is a rather wonderful thing; a panel of Rosewood here, a little Mahogany there –Leddington likes to strike the right balance.

I’m in the Leddington Guitar workshop –a space packed with parts, tools, and the heady scent of lacquered instruments –chatting with owner Gary about tree species, and the different sound the wood from each produces.

“This is European Spruce, so I would expect this to be a little bit more tender – a little sweeter – than some woods”, he continues, pointing to the top portion of an instrument perched on the studio counter. After European Spruce, Gary lingers on Sitka (“the sound tends to be a lot more pronounced”), before pondering the pros of a Spruce –Rosewood combo: “It’s got that sort of lower, darker sound, maybe a little more complex, but in a more subtle way…”. One could go on, I’m told, but with hundreds of woods at a luthier’s disposal, it can be a little tricky knowing where to start.

Gary’s interest in guitar-making started way-back-when; he recalls watching a secondary school classmate knock up a rudimentary version of the instrument and wanting, even then, to give building a go himself. But it wasn’t until a career oppurtunity took him across the channel to Belgium, where Gary took night classes in stringed

HOW WOOD COLOURS A GUITAR’S SOUND

The top of the guitar contributes to around 90% of the instrument’s sound. The species, the thickness of the top, and the way the support braces are carved have the most impact on the tonal qualities. Most guitars have a spruce top of some variety, but cedar and mahogany are also used from time to time.

The back and side woods have less of an impact than most people think, but they do ‘colour’ the sound. You can think of a guitar like a sonic soup: the top is the base ingredient, and the back and sides are the spices and seasoning. Here Gary highlights some of the options.

European Spruce

European Spruce is a very good all-round top wood that has been used for centuries by the classical instrument builders of Italy, Spain and Germany for violins, cellos and guitars. It has a clear and vibrant sound with complex, honeyed overtones.

Sitka Spruce is one of the most commonly used top woods. It’s perhaps not as nuanced as other top woods in that it has a kind of sonic ‘ceiling’; but it's powerful, punchy and present.

instrument building at the Centre for Musical Instrument Building in Puurs, that interest became practice.

There’s a strong, active tradition of luthiery in Belgium, with several schools across the country dedicated to educating the next generation of makers. Having only been back in the UK for several months, Gary is yet to discover a similar proliferation of the craft in England, although the musician-turned-maker isn’t in the least concerned about the future of luthiery: “I definitely don’t think that luthiery is a dying thing. Especially in recent years, when there’s been a turn towards craft, and making, and that sort of authenticity…I’m not worried about it at all – I think it’s an alive and vibrant thing.”

That being said, guitar makers aren’t entirely immune to the threats of an assembly line, because their instrument is always, to a certain extent, ‘handmade’ (yes, a machine is able to knock up parts A and B, but a Real Life Person is needed to join the two together). Because of this, larger manufacturers, such as Martin, describe their instruments as handmade. But a guitar made entirely by hand is a different beast –

Continued page 32

Adirondack Spruce has a lively and yet robust sound that means it can be delicately fingerpicked or energetically strummed and it will remain complex and nuanced in all situations.

Rosewood tends to be complex and dark with a good low and high frequencies, with perhaps a more elaborate sound than mahogany as it operates over a wider swathe of the sonic spectrum.

Mahogany mostly occupies the mid-range frequencies and has very woody, dry and yet sweet characteristics. In a roaring bluegrass jam, a mahogany guitar will punch though the banjo cacophony.

Maple is by nature a harder wood and that is reflected in its tonal characteristics. It sits in the higher frequencies and therefore is brighter and very lively and responsive. It also has fantastic sustain, which means the length that the note achieves

This is European Spruce, so I would expect this to be a little bit more tender – a little sweeter – than some woods

as Gary’s perfectly demonstrate. Coming from a contemporary art background (he studied Fine Art at Manchester Metropolitan University), Gary’s aesthetic tastes tend to be, in his words, a little “strange and abstract” when compared to those of other guitar makers who often have a more traditional training in woodwork or carpentry.

The amount of time it takes Gary to build each ‘abstract’ instrument differs, but if there are no hiccups along the way then it’s around three to four weeks to put the guitar itself together and a further month to allow for the applied lacquer to cure.

That’s a fairly hefty timeline, I note; strange as it may sound, I’m curious as to whether Gary forges any kind of emotional connection with his instruments? They have long enough to get to know one another, after all.

“You get really attached to the thing – when its finished, it’s difficult to let it go”, Gary nods with a smile, telling me that things get stranger still when an instrument stays close to home: “Sometimes they come back – maybe they need a touch up, or a friend owns one, so you see it occasionally – and there’s a weird detachment that happens. It’s as if it has become its own thing, to the point where I don’t even believe that I made it anymore. It’s really strange: it becomes this complete thing that has its own life –or its own existence, or something...”

This isn’t the first time Gary has referred to his instruments as though they are, at some level, autonomous –or, at the very least, not entirely within their maker’s control: “Every guitar does sound a little bit different. Even if the same maker makes the same guitar with the same woods and the same body shape, it will probably sound a little bit different. Just because of the nature of – well, nature really; trees grow differently!”

Gary is a champion of all things unique, with his favourite projects being those of the sentimental variety. He gives us a sneak peak at his current make which, in homage to its commissioner’s passion for Irish music, features an emerald green rosette. Another instrument of which Gary is particuarly fond uses a Morgan silver dollar belonging to the player’s grandfather as inlay.

When asked how he sees his career progressing, Gary’s answer is a humble one: “I would just like to continue making, and make a living from making. To me, that sounds like success. I don’t have any grand designs on world domination. It’s really just to be able to make the things that I love, and make things that are beautiful.”

It sounds like a good enough plan to me. n

ARTS & EXHIBITIONS

Victoria Art Gallery, Bridge Street, Bath victoriagal.org.uk

Capturing Life: A Century of the New English Art Club, until 11 April

Work by current New English Art Club members alongside a core of over 30 paintings by illustrious past members, with major pieces by John Singer Sargent, Philip Wilson Steer, Gwen John, Walter Sickert, Stanley Spencer and Winifred Nicholson.

Jessica Palmer: Wetland Spring, until 11 April

This exhibition brings spring to life through collages of meadows, meadow plants and the flora around Bath by artist Jessica Palmer. These works capture beauty in our natural surroundings, responding to our natural world in peril.

Sandra Higgins Art is delighted to exhibit works by Timothy Emlyn Jones. Painting on the west coast of Ireland, Timothy reflects upon the immersive nature of the untameable Atlantic Ocean and its shoreline. His work concerns not only what he sees, but how all of his senses respond to the wild weather and unique light of his environment.

To view Timothy’s latest work, visit the online gallery or email Sandra to arrange a private view.

sandrahiggins.art; sandra@sandrahiggins.com

The Holburne Museum, Great Pulteney Street, Bath

Illustrating the World: Woodcuts in the Age of Dürer, until 23 April

A rare opportunity to view the complete set of woodcuts known as The Great Passion, produced by Albrecht Dürer (1471–1528). He was the first artist to devise, create and publish an illustrated book, pushing the limits of a linear art to create vividly animated scenes.

Alberta Whittle: Dipping Below a Waxing Moon, until 8 May

This major exhibition, Whittle’s first museum show, combines sculpture in the form of limbo dancers, poetry and film. Barbadian-Scottish artist Alberta Whittle explores themes including hospitality, relaxation and postcolonial healing. holburne.org

victoriagal.org.uk

Winter Exhibition, until 18 February

Beaux Arts Bath, 12–13 York Street Bath. Open Monday to Saturday 10am-5pm

The winter exhibition features some of the gallery’s most popular artists as well as some new faces. Work from Simon Allen, Jack Doherty, Mark Entwisle, Janette Kerr and Rob Pittam sits alongside gallery stalwarts Beth Carter, Paul Mount, Nathan Ford, Anna Gillespie, Chris Keenan, Nick Mackman and Helen Simmonds. A new exhibition of the paintings of Nathan Ford starts on 25 February. beauxartsbath.co.uk

David Ringsell: Contemporary Art Prints and Paintings of Classic Bath Architecture

“I aim to present a contemporary perspective on some familiar places. I often focus on the darker side of Bath architecture with peeling paint and stained stonework.”

David’s work is being exhibited at The Claremont Pub, 5 Claremont Road, Bath; and at The Old Crown, Weston, Bath. Custom prints are available online in a range of sizes – see the website: real-images.com

Image: Up, Up and Away, A2 framed giclée print by David Ringsell. The fading sun catches a hot air balloon above Bath

Bath Art Fair, 25–26 February

Bath Pavilion, North Parade Road, Bath.

Open Saturday 10am-6pm, Sunday 10am–5pm

Bringing together over 90 of the most innovative and exciting professional independent artists from all over the country and Europe (with many from the south west), the Bath Art Fair is the perfect setting for customers to discover new original art. All artists are happy to explain their inspirations and processes and discuss commissions –visitors enjoy meeting the artists and find an emotional connection with their work that galleries just can’t offer.

The Bath Art fair was created in 2017 by professional Somerset artist Alce Harfield. (Alce owned ‘The Silly Fish Shop’ in Shire’s Yard and then Broad Street, Bath until the early 2000s.) Tired of travelling and exhibiting her work at other art fairs she decided to bring the wonderful concept to her area. Now in its sixth year the fair is back with stands sold out in just a month with many returning artists, such is the reputation of this award-winning artists’ fair.

Tickets £7 online, £8 on the door.

bathartfair.co.uk

Teaching the Next Generation to Love Antiques

Sadly today, antiques, family heirlooms or period pieces are often dumped in charity shops or sold, because they are deemed “useless” by the younger generations.

Growing up, our family antiques and silverware were used on a daily basis and never hidden in a drawer or tucked out of the way - this ignited my current love for antiques. We were taught from a young age to respect the pieces, learn about potential fragility, and maintain the furniture or silverware to keep them useable for the next generation. Most memories of my childhood feature family meals and playing in rooms surrounded by the antiques my parent's inherited. I've since inherited my grandmother's simple brown wood table and it has pride of place in my home and has contributed to the experience of raising of my children around antiques.

In my observations, things that get used, get loved. Trying to pass down a dusty, unloved, out-of-sight antique to your children is probably not going to be well received; however, if you can integrate that piece into everyday family life, then maybe it can be viewed differently by the younger generations.

When my children get married, they each receive a silver canteen of cutlery, which immediately gets put away in their kitchen cutlery drawer for everyday use - making a cuppa, cutting a cake, eating dinner. Don't worry, even modcons like dishwashers are safe for solid silver flatware, so no one has to worry about washing up! It is possible for antiques and silverware to be “normal” and using them makes every day feel a bit more special. We need to foster their integration into our modern world, encouraging the next generation to style and use things in new ways; recognising that these historic things still have a valued place.

Organiser and artist Alce Harfield is again donating an original Glastonbury Festival painting for the charity raffle. In response to the outpouring of love and support for those displaced from Ukraine and to all refugees who have found themselves in Bath, proceeds will go to the charity Bath Welcomes Refugees. bathwelcomesrefugees.org.uk

The provenance of an antique is more than it’s original owner, it is the combined story of everyone that has used it. By using a piece routinely and admiring it's adaptability and versatility, its story becomes enriched. And that, in my opinion, is the provenance that really counts. n

beaunashbath.com;

01225 334234

What’s your story worth?

It must be every metal detectorist’s dream… the sound in the headphones of a hopeful tone, the shine in the earth of a coin lost for centuries coming to light for the first time. The first coin followed by another, then a gold coin and more silver! This is just what happened, to one experienced and lucky detectorist!

Having spent a clear but chilly Autumn morning in a field usually used for grazing, it was only when having given up on the day, the pair turned back towards their car and within seconds a silver groat, then three more...

The potential of the site was immediately clear and after careful work with fellow detectorists alongside the landowner, the full extent of the hoard was revealed. Naturally, correct procedure was followed, and the collection of coins were recorded on the PAS scheme and a Coroner's report compiled stating the full detail of the find.

Quoting from this report, the quality and importance of the find is immediately apparent:- “The coins belong to the reigns of Henry IV, first reign and Edward IV first reign, the period of the Wars of the Roses. They are a highly selected group of good condition, high value coins and do not simply reflect the general coinage in circulation at the time. The majority of the coins appear to be a group of closely dated coins of the same denomination… This close grouping does not reflect the general distribution in coinage at the time and may reflect specific episodes of payment or saving of money, brought as a group from the mint.… a closure date for the hoard of 1468 or 1469....”.

Further recorded in a fully illustrated three-page article in Treasure Hunting Magazine for June 1919, this is a well recorded and properly reported find.

The collection was offered for sale in our Autumn militaria, coins and medals sale and sold for £21,630.

Virtually every day someone will call into our offices with coins to be looked at; these inevitably range from the finest gold coins to more straightforward heavily circulated coppers.

The excitement of looking through a quantity of coins be they an accumulation or a fine collection, never diminishes. With a long held interest in coins and medals, specialist Matthew Denney is always keen to see interesting and unusual items and researching the history that these sales cover.

If you have items that you would like to include in our forthcoming sale on May 25th, please get in touch for a free, no obligation valuation.

Consignments are accepted throughout the year!

A wonderful example of the four coin gold proof set produced by the Royal Mint to celebrate the Coronation of King George VI.

To be sold May 25th

Estimate: £6000-8000

Entries are invited for our Spring auctions to include:

Silver | Vertu | Pictures | 19th/20th Century Design | Ceramics

Oriental Works of Art | Jewellery | Watches | Furniture | Clocks | Rugs

Militaria | Coins | Medals | Collectors | Sporting | Textiles | Wine | Spirits

Books | Maps | Manuscripts | Photography

Lawrences AUCTIONEERS

Wine and sustainability

Tom Bleathman of The Great Wine Co. takes stock of how the need for sustainability is making itself felt in the world of vineyards and wine-making

There is no denying that climate change is impacting the world we live in –the UK experienced record overall temperatures in 2022 and many areas of Europe are currently experiencing the most intense winter heatwave in history. Sustainability is now at the forefront of our minds. For many, this may mean creating a waste-free lifestyle, eating less meat, or simply turning off the lights. These actions may have a small immediate impact, but to positively change the climate in the future more should be done. Individuals and businesses should be aiming to develop their needs to meet the present day, without compromising the planet for future generations. This should include implementing social responsibility schemes to ensure businesses are positively impacting and educating their employees and surrounding communities.

Like all plants, vines absorb CO2 and give out oxygen; consequently the wine industry should be capable of sustainability. Despite this, some elements of the industry may not be as environmentally friendly as you think,

and improvements are always required. The heavy reliance of glass and shipping in the wine trade carries a hefty impact on the climate. There are also certain practices, largely associated with bulk-production, that can be environmentally damaging. These include boosting yields with synthetic fertilisers and high levels of water usage in regions where this is a scarce resource, as well as emissions from mechanical cultivation and harvesting.

By contrast, the price tag on finer wines helps pay for ‘dry farming’ (lower yields are often associated with higher quality), organic practices, hand-cultivation and harvesting, and an approach which benefits not only the natural environment, but also the local community. Thankfully, The Great Wine Company has a wide array of producers who make a conscious effort towards creating a progressive and sustainable culture, which benefits the land and the wider community. Here we highlight three producers and their sustainable practices, as well as wines of theirs you must try. greatwine.co.uk

Domaine Cazes, Ego £18.85

Pure and perfumed nose displaying floral hints of violet, blackberry, cherry, and a mild spiciness. The palate is dense yet fresh, digested and rounded with layers of floral dark fruit, and a long and pure finish.

Domaine Cazes

Domaine Cazes in Languedoc-Roussillon, France, is an established family winery dating back to 1895. In 1997 the young Emmanuel Cazes took over the winemaking and within ten years, the entire estate had been converted to organic and biodynamic practice, gaining full certification in 2005. Pests aren’t a problem in this ecosystem –250 nesting boxes have been set up around the vineyards, which are home to bats and birds of prey that feed on insects harmful to the vine. This is now the largest organic and biodynamic certified winery in Europe, with Emmanuel regularly seen holding masterclasses on the benefits of organic and biodynamic practices.

Kleinood

Kleinood, Tamboerskloof Viognier, £22 Peach, floret and a lush mix of citrus show immense concentration right from the start. Both precise and dense, the scents and flavours flow through into a tightly wound rich finish, bright with citrus. The length and concentration are simply spectacular.

Environmental awareness is central to everything at Kleinood. The winery in Stellenbosch, South Africais a member of the Biodiversity and Wine Initiative (BWI), uses ladybirds as natural pest controllers in the vineyard and has installed solar panels on the roof of the wine cellar to use renewable energies. The labels are made of recycled paper, printed with a wooden press, torn by hand and glued to the bottles. Social responsibility is also a priority for Kleinood –they built four three-bedroom houses for their employees to ensure they could live with their families. Although Kleinood owns the houses, the employees

only pay electricity bills or nominal rent. Many of Kleinood’s employees’ children go to a local school called Webersgedenk Primary School; in 2014, Kleinood built an Arts and Culture Centre for the school. To date, over 1,000 children have benefited from this facility, which is repurposed for adult evening classes.

Gramona

I was fortunate enough to visit Gramona in Catalonia, Spain, last year and their sustainability efforts were clear to see. They are an organic and biodynamic producer which use many sustainable practices, such as the use of water purifiers to recycle wastewater and the use of energies such as geothermal and solar power to maximise renewable energy usage. They also own horses which help plow the land in traditional methods as well as creating natural compost which they use across the vineyard. Everything is as sustainable as possible, even down to the bottle wrap which is vegetable based and 100% biodegradable. n

The Great Wine Co. has a ‘Planet Friendly’ section focusing on organic, biodynamic, sustainable and kind: greatwine.co.uk/ planet-friendly/

Gramona, Imperial Brut, £33

Complex aromas of apple and white peach, with notes of aniseed, fennel, freshly baked bread and a subtle hint of citrus peel. Beautifully balanced in the mouth, with hints of fine patisserie, roasted nuts, toast, yeast and a buttery character. Generous, full and creamy in texture, with velvety smooth bubbles.

Boho Marché

Ihave never before eaten a meal under the gaze of a horse with tassels draped around its ears. But there’s a first time for everything. This was also, and more importantly (because, okay, the horse wasn’t real), my first time at Boho Marché at The Francis Hotel. The full-size standing horse and its tassels with layered ethnic-style drapes under its saddle represents the Berber steed once used in desert warfare. It sits well with the restaurant’s food identity, hatched in 2020, to celebrate the culinary cultures found along the hippy trail to Marrakesh.

The décor duly emanates Moroccan souk –with pink-hued and crumbling stone walls, banquette-style booths, wicker chairs and a tangle of vegetation in a green ceiling over the bar capturing a French Colonial café culture. The bohemian vibe is perhaps an unexpected spin on the restaurant in this opulent Regency hotel in Queen Square – once the home of Raymond Blanc’s Brasserie Blanc – as you transition from the foyer of The Francis Hotel with its luxurious carpeted polish to a more exotic, free-spirited setting punctuated by expanses of tropical parrot jungle wallpaper.

The Hippy Trail was an overland route followed by free spirits and peaceniks from the mid-1950s to the late 1970s, passing through Istanbul and towards Nepal, culminating in Kathmandu, the home of spiritual enlightenment. Therefore we were not surprised to encounter Falafel Muhammara, Moroccan Harira Soup and Slow-braised Ox Cheek with smoked creamy mash on the menu (although it does also

includes a smattering of Mexican flavours). Our serenely beaming waiter Jake guided us through the menu, recommending the sharing board (provided for two or more people) as a starter. This was the apotheosis of Moroccanstyle food, with a wide wooden platter holding small plates such as Moroccan falafel fritters, harissa marinated olives, chimichurri, Muhammara (walnut and roasted red pepper dip), Moroccan hummus, Lebanese aubergine dip made with grilled piquillo peppers and walnuts, Barbari bread spiced with Za’atar, and toasted sourdough. You can also add Braised Ox Cheek, Confit Duck, Grilled Chorizo or Chicken Skewers to the board.

with tequila, Cointreau, and pomegranate, alongside a host of signature cocktails and mocktails.

As a main meal we had Confit Duck cured in the house spice mix, slow cooked in duck fat and served with sous vide caramelised apples, sweet potato mash and red wine jus dramatically encircling the duck legs. Also a Vegan Moroccan Tagine with couscous – to which can be added chicken, lamb shank or ox cheek – served in a traditional conical tagine pot. It may not have been cooked over a smouldering charcoal fire, but the Middle Eastern flavours powerfully infused the dish.

Our choices leant towards the Moroccan tasting experience, but the menu choices also encompass sirloin and ribeye steak; cheese, chicken and jackfruit burgers; pasta dishes such as truffled tagliatelle; Caesar salad; and couscous poke bowls.

Despite being rather full, there was just room for a crème brulée and scoops of chocolate and vanilla ice-cream.

We drank Camden Hells beer and elderflower pressé, which would have been perfect in the heat of Marrakesh, but took attentive note of the extensive cocktails menu, including The Francis with tequila, blue curacao, coconut milk and pineapple; Midnight Kisses with dark rum, blackberry, orgeat syrup and lime; and Lost in Marrakesh

Jake shared with us that he is planning to live in Taiwan for a year and learn Mandarin at the university, which impressed us no end –his role at Boho Marché may have given him the taste for adventure. This was an evening of discovery, giving us the spicy experience of exotic food in chilly Bath. The January temperatures sadly didn’t match the extreme heat of Istanbul and Kathmandu, but thankfully the trail home was a short one. n

Our meal for two at Boho Marché, without drinks, totalled £73.

It may not have been cooked over a smouldering charcoal fire, but the Middle Eastern flavours powerfully infused the dish

White Chocolate and Pistachio Tortini

A wonderfully fudgy dessert somehow in the same family as sticky toffee pudding. The tortino or ‘little cake’ is made from white chocolate, which gives it that intensely dense texture, then baked at its centre is a dollop of melting sweet pistachio cream. This you can buy in jars – most Italian delicatessens or specialist online suppliers stock it. I love white chocolate and pistachio together, but you could equally substitute a dollop of chocolate-hazelnut spread for the pistachio

cream. Once prepared, these need to rest in the freezer for a few hours, so you do need to think ahead; but on the flip side you can make them in advance and have them ready to pop in the oven when needed. These will keep in the freezer in their little ramekins for three months. Do remember to include a note with baking instructions, if you’re dropping them off as a gift.

Serves 2

Hands on time: 20 minutes

Hands off time: 3 hours in the freezer; 25 minutes in the oven

100g salted butter, plus more for the ramekins

100g white chocolate, finely chopped

60g caster sugar

2 eggs

2 level tbsp plain flour

2 heaped tsp pistachio butter, shop-bought pistachio cream, or chocolate-hazelnut spread, such as Nutella

icing sugar, to dust (optional)

finely chopped pistachios, to serve (optional)

Method

Butter two 10cm ramekins, making sure to liberally coat the bases.

Combine the white chocolate, butter and sugar in a small saucepan and set over a low heat to melt. Stir regularly to stop the chocolate from catching and take the pan off the heat as soon as it is melted.

In a small bowl, lightly beat the eggs with a fork. Add the eggs to the melted chocolate and stir vigorously until well combined. Now add the flour to the chocolate and stir vigorously until you have a smooth, chocolatey cream.

Pour one-quarter of the mixture into each of the prepared ramekins. Spoon a dollop of pistachio butter, pistachio cream or chocolate spread into the middle of each, then pour over the remaining white chocolate mix, dividing it equally between each ramekin so the pistachio or chocolate is completely covered. Cover and set in the freezer for a couple of hours (longer if you like).

When you are ready to serve, heat the oven to 200°/180°C fan/Gas 6.

This recipe is from A Table Full of Love: Recipes to Comfort, Seduce, Celebrate & Everything Else in Between by Skye McAlpine, published by Bloomsbury, £26. This cookbook invites you to celebrate love, in all its forms, through the making and sharing of food. Skye McAlpine is holding a bookshop supper at Topping & Co on 5 March. toppingbooks.co.uk

Bake the tortini straight from the freezer, in the middle of the oven, for 25 minutes, until lightly golden on top and slightly risen in the middle. They should feel firm to the touch. Dust with icing sugar and/or a scattering of pistachios, if you like, before serving while still warm.

February Menu 2o23

CITY NEWS

The support of a Queen

Her Majesty The Queen Consort recently officially opened the new Bath city centre headquarters of national charity, the Royal Osteoporosis Society (ROS)

Two awards for Corkage

Corkage in Chapel Row recently won gold at the prestigious Bristol, Bath and Somerset Tourism Awards and Best Restaurant at the Crescent Club Awards. Corkage owners Richard Knighting and Marty Grant had to split their time between the two events. Richard joined the 200 guests at the Winter Gardens in Westonsuper-Mare for the tourism awards hosted by broadcaster Laura Rawlings and former professional cricketer and PGA golf professional Peter Trego. Marty, meanwhile, was representing at the Crescent Club awards at The Assembly Rooms, joining their members and the great and good of Bath for the glitzy evening.

“We’re absolutely chuffed to bits to have won gold at the Bristol, Bath and Somerset Tourism Awards against some very stiff competition,” said Richard. “Winning this award will make a huge difference to our profile as we head into the new year, and it's always good to have something to shout about!”

Richard added, “It’s amazing to get the nod for Best Bath Restaurant from the members of the Crescent Club, ahead of many of our local independent competitors.” corkagebath.com

Personalised care at home

OxleyCare, a friendly, family-run live-in care agency with over 22 years of experience caring for elderly and vulnerable adults, has recently expanded to Bath. As a small and exclusive agency providing outstanding live-in care across the south of England, OxleyCare can accommodate a wide variety of requirements for care including companion care, dementia care, respite and convalescence care, palliative care and care for long-term illnesses. All the care packages are created bespoke for individual needs, so clients can be certain they are are getting the very best care possible.

For more information about OxleyCare visit oxleycare.co.uk or telephone 01980 846690 to speak to a member of the team.

Her Majesty has a long-standing relationship with the ROS, following her late mother’s and late grandmother’s devastating experiences of osteoporosis. Since 1994, The Queen Consort has been one of the most effective and high-profile communicators globally in highlighting a condition which has been characterised by passivity and low awareness, despite affecting half of women over 50.

During her visit to the new ROS offices, Her Majesty met with specialist nurses who run the charity’s free Helpline, which answers 13,000 enquiries a year, providing support and information for people living with osteoporosis and their family

Truespeed back the vulnerable

Providing respite from the escalating costof-living crisis, Bath-based Truespeed has extended its broadband price freeze and has introduced its ‘Truespeed Basic’ product to support financially vulnerable customers.

With its initial 12-month price freeze announced in May 2022, Truespeed is amplifying its commitment to helping customers combat the ongoing cost-ofliving crisis by extending its price freeze for the whole of 2023. Guaranteeing its ‘no incontract price rise’ promise, the local provider is bucking the industry-wide trend of inflicting substantial price hikes and ensuring full fibre broadband remains accessible to as many people as possible.

The community-led company is also taking new steps to ensure its most financially vulnerable customers are supported throughout increasingly

The Wild Escape

The Victoria Art Gallery is taking part in The Wild Escape, a nationwide project uniting hundreds of museums led by national art charity Art Fund with support from Arts Council England.

Running until July 2023, The Wild Escape invites children to find a favourite animal in their local museum and create an artwork imagining its ‘escape’ back to its natural habitat. The pictures and stories children create will be brought together by the Art Fund in a collective work of art that imagines a better future for the wildlife on our doorstep, launched online and in museums on Earth Day on 22 April. The gallery will work with local primary schools to offer group visits, where

members. Her Majesty then attended an event at the Guildhall to celebrate the ROS’s move into the city. The Guildhall event was attended by regional leaders, including the Mayor of the West of England, the Leader and Chairman of Bath City Council and the Mayor of Bath. Osteoporosis causes bones to weaken and fracture following simple injuries –including a cough, a fall from standing height, or even a hug from grandchildren. Fractures caused by osteoporosis are one of the most urgent threats to people living well in later life theros.org.uk

turbulent economic times. Available to households that meet the criteria, e.g pensioners and households on income support, the local provider has launched its ‘Truespeed Basic’ product that delivers guaranteed speeds at the price point of £20 per month for 30Mbps.

Nelson Missier, Chief Commercial Officer of Truespeed said, “We’ve always been a part of the South West community and are proud to step up during this unprecedented situation.” truespeed.com

children can be inspired by pictures of animals, create animal habitats using collage, and make sketchbooks to record their observations. There will be a themed gallery trail and special displays of sculpture, ceramics, paintings and drawings that celebrate nature. victoriagal.org.uk/events; thewildescape.org.uk

Making Tax Digital for Income Tax Self-Assessment (MTD ITSA): delayed!

What is MTD ITSA?

Under MTD for ITSA, businesses, self-employed individuals and landlords will keep digital records, and send a quarterly summary of their business income and expenses to HMRC using MTD-compatible software. In response they will receive an estimated tax calculation based on the information provided to help them budget for their tax. At the end of the year, they can add any non-business information and finalise their tax affairs using MTD-compatible software. This will replace the need for a Self-Assessment tax return.

The government has announced a further delay to the introduction of Making Tax Digital for Income Tax Self-Assessment (MTD ITSA). Why this change and what is the new timeframe?

In a statement released on 19 December, the government has finally acknowledged that MTD ITSA is a significant change for all concerned, and that launching during an economic crisis is not ideal. MTD ITSA will now be delayed until April 2026, with the self-employed and landlords with turnover in excess of £50,000 joining first. Those with income over £30,000 but not exceeding £50,000 will not need to join until April 2027. A start date for general partnerships has not yet been announced. Prior to this announcement, the mandatory use of software to remain compliant was set for April 2024.

The government will now review the needs of smaller businesses before asking those earning less than £30,000 to join. Previously MTD ITSA was going to be mandatory for the self-employed/landlords earning over £10,000. Given the expected additional costs and administrative burden for small businesses this will undoubtedly be a very welcome change. However, HMRC will have its work cut out when operating different systems for self-assessment customers so further delays could be on the cards. Note. This does not affect the move to tax year basis periods, which will be effective from 2024/25 after next year’s transition.

What can you do to prepare for the introduction of MTD ITSA?

Despite the pushing back of this significant change to how self-employed/landlords record their income and expenses; it is important that those impacted turn their attention towards what they need to do to stay compliant when MTD ITSA goes live. Getting the right system in place for both compliance and your needs is the first step to preparing for Making Tax Digital.

The good news is there are plenty of software options on the market for both the selfemployed and individuals that are compliant for MTD ITSA. If you wish to discuss these options, please get in touch with OCL and speak with one of the team.

The importance of Lasting Powers of Attorney

A recent survey of 2,000 UK residents by Which found that while 85% of respondents knew what a Lasting Power of Attorney (LPA) was, only one in seven people had one in place.

In her latest article Qualified Paralegal, Kate Norris discusses LPAs, the misconceptions, and the benefits of having an LPA.

The misconceptions

There are many misconceptions about the use of LPAs but the two most common are that people incorrectly believe they lose access to their financial accounts once the LPA is registered and that an LPA can be created at any time during a person’s lifetime, not realising that it cannot be done once mental capacity has been lost.

There are two different types of LPAs. Under the LPA for Property & Financial Affairs, while you still can make your own decisions, you can ask your attorneys for help with your financial matters, for example, to sign documents for you or go into the bank on your behalf. Your attorneys would only take over if you were ever to lose the ability to make your own decisions about your finances.

With an LPA for Health & Welfare, your attorneys would only be able to act if you were unable to make health and welfare decisions yourself.

If you lose mental capacity to make your own decisions without an LPA in place, your loved ones will have to apply for a Deputyship Order at the Court of Protection. It is a significantly more costly and complex application than making LPAs. The Deputy is accountable to the Court on an ongoing basis and an annual supervision fee applies. Applying for a Deputyship Order also takes considerably longer than registering an LPA.

The benefits of an LPA

You can appoint someone you trust

An LPA gives you peace of mind that someone you know, and importantly trust, oversees your affairs. Without an LPA in place, it is left up to the Court to approve who should make decisions on your behalf if you lose mental capacity.

Access to money when needed

Approaching deadline for capital allowances

‘super-deduction’ for limited companies:

For two years from 1 April 2021 until the end of March 2023, any investments your business makes in main rate (main pool) plant and machinery will qualify for a 130% capital allowance deduction. The final deadline to take advantage of this super deduction is just a few months away. If you are considering a capital equipment purchase for your business, it’s worth taking note of this deadline and the tax saving opportunity the super deduction represents. Please get in touch with one of our team if you need to discuss further.

For tax saving tips contact us – call

If you are the primary earner and you became incapacitated it is likely that your partner, children, or friends would need urgent access to your bank accounts to ensure essential bills continue to be paid. An LPA protects your loved ones from entering a legal limbo where they cannot make these crucial decisions.

You can leave instructions

Having an LPA in place means you can leave instructions for your loved ones. If an attorney is presented with a choice, they can follow any instructions you have left in your LPA, which would be legally binding.

Peace of mind

Think of LPAs as if they were an insurance policy. Once you have made LPAs and the documents have been registered, you can simply file them away and enjoy the peace of mind that comes with knowing that if anything should happen, they are in place to make things easier for you and for your loved ones. We insure all aspects of our daily lives in case the ‘worst’ should happen, so why not our ability to make decisions?

To discuss making a Lasting Powers of Attorney or if you have any questions, please get in touch with Kate Norris on 01225 750055 or email kate.norris@mogersdrewett.com.

“We have an inventive, innovative creative environment and that will carry on manifesting itself as young people come out of the creative education system”

Creative futures

The mission of Bristol + Bath Creative R +D has been to bring together creative networks in Bristol and Bath to forge connections, share knowledge, create opportunities and drive innovation. As the project nears its conclusion, Emma Clegg asks its director Jon Dovey what has been achieved...

Bristol + Bath Creative R+D is a £6.8 million collaboration designed to raise the bar for the region’s creative industries. With funding from the Arts and Humanities Research Council (AHRC), the five-year programme, running from 2018–2023, has aimed to forge connections and partnerships in Bristol and Bath, sharing knowledge, creating crossovers and even greater opportunities in what’s already one of the most vibrant clusters in the UK.

The cluster incorporates Bath and North East Somerset, Bristol and South Gloucestershire, an area represented by the West of England Combined Authority (WECA). The size of the creative industries sector in this region is significant – including 7000 business and 50,000 people in work – making around £2 billion for the regional economy, and it is one of WECA’s key economic development areas.

Jon Dovey, Director of Bristol + Bath Creative R+D and Professor of Screen Media at UWE Bristol, breaks this down: “Creative industries are full of small companies dotted all over the place, many with as few as 4–12 people. They don’t have the visibility that more traditional industries have, so we wanted to aggregate those companies, and give them a network for working together.”

This collaboration between UWE Bristol, Bath Spa University, the University of Bath and the University of Bristol and digital creativity centre Watershed is the first-ever involving all four universities within the two cities. “The project began with three questions: how best to ensure inclusion and diversity, what were the future technologies that would make a difference, and what are the new ways to reach audiences in the future,” explains Jon. The next stage was to ask new businesses about the things they were working on that would benefit from research.”

Jon says that academic research is much more connected than it used to be: “Over the last 10 years we’ve been led towards a different kind of research where we work with partners all the time. Our region

PARTNERSHIP PROFILE 1

Based at the University of Bath, Bath CAMERA is a world-leading computer science research centre, innovating with visual technology, motion capture, biomechanics, machine learning, AI and more, and assisting Creative Industry and Sports and Health with R&D in these areas.

During Bristol + Bath Creative R+D, CAMERA has collaborated with many regionally based creatives and creative organisations, helping them solve technological or computational challenges when making 3D or Extended Reality (XR) content for audiences. Examples include realising 3D photo-realistic speaker stacks for Crack Magazine’s Everything is Music app, conveying the spirit of St Paul’s Carnival through Augmented Reality and generating controllable personalised avatars so performers at Lost Horizon could engage with virtual audiences at the same time as they perform to audiences live at the venue.

In Bath, CAMERA is collaborating with The Egg on a 3D model of their theatre space and conducting R+D so cast and crew can meet in the model remotely via VR headsets. Interacting with each other in a fully immersive and first-person way grants the option to rehearse and make decisions about set-building, actor positioning and all before money has been spent on company

is already recognised outside London as an important national centre for this kind of work, which universities can support. This money and this R&D (research and development) project allows us to create a little experimental corner of that landscape.”

Bristol + Bath Creative R+D: how it worked

The project focused on five Pathfinders, representing blocks of R&D investment. Jon says, “Each one linked to a particular type of creative industry, and each had a group of people –from industry partners to academics –who we funded to go away and think, talk, research and come up with new ideas. And we used that to put out a call for prototype projects.”

Once funding was agreed with a company, a producer was assigned and they would work with the teams, acting as a sounding board, chasing the process, being an inspiration and a connector. “We want this money to be the start of this journey, not the end of it. We want to support the companies to develop their market offer, get further investment, and achieve the greatest success,” says Jon.

Achieving inclusivity was crucial, because creative and technology industries aren’t known for their social diversity. “If you look at where the creative industries and creative technologies meet – degree level education, usually white, often male – it’s very prescriptive. We ran a project called Creative Workforce of the Future where we got money from WECA and gave placements to people from different kinds of backgrounds.

“We learnt that offering, say, £50K to a company was quite a lot of money for a new start-up, so we started the Trailblazer Fund, which focused on awards of between £5K and 10K. This allowed us to make lots of smaller investments, to respond to different kinds of people less established in the industry, and to spread our resources more widely.”

Another Pathfinder, Here and There, aimed to find new ways of creative set-ups working internationally. “Immersive theatre company

➲ Continued page 50

members travelling across the country to do so in person. This sort of innovation could revolutionise the approach theatre makers take to traditional touring theatre or stand-alone productions, by not only making the production processes more affordable but reducing the carbon footprint of their corner of the sector. camera.ac.uk

Raucous is a great example of that,” says Jon. “They partnered with a Canadian company and came up with a story about a women whaler who lives in a lighthouse in the middle of the Atlantic. It’s regional, but it’s also global because it’s about whales and ecology. We need to have the confidence to know that we don’t have to connect internationally via London. We can go from local to global.”

Bath and Bristol: an effective collaboration

I ask Jon how the respective projects have fitted within Bath and Bristol. “The commissioned work has reflected the characteristics of each city. The level of connectivity between the creative industries and universities in Bristol was already quite well-developed, but at the same time Bath has particular strengths that fitted well with many of our projects and the two cities have amazing complementary offerings. The Pathfinder on Amplified Publishing, which considered all the ways content is being produced, was very much driven by the Bath community because the publishing industry has a strong history there.

“Then there is Bath CAMERA, a long-established specialist lab that was developing the technology for motion capture from the beginning. As virtual production and animation have become bigger parts of the moving image profession, their research areas have boomed. It’s been great to work across all those partners and see how the whole adds up to more than the parts in all those collaborations.

“Bath Spa University now has The Studio at Palace Yard Mews, a studio for artists and creatives to do R&D and meet one another. That has been really important for Bath because the university teams can interface with the creative teams in the city. Bath Spa University are now thinking about how the arts school, particularly the Locksbrook campus, relates to the rest of the city. That’s partly come about because they think of the university as a partnership as well as a teaching institution.”

Bath and Bristol are two very different cities united by a combined authority, but it’s crucial for them to work together. “WECA and their strategic role in the development of the region means we need more of a combined offer between the two cities because that is one of our routes into government, routes into policy,” says Jon.

Looking ahead, Jon is optimistic: “We have an inventive, innovative creative environment and that will carry on manifesting itself as young people come out of the creative education system. I hope that with support and with bringing in new people all the time we can keep that going. The involvement of the universities, the city and WECA with the creative industries isn’t going to stop. I’m confident that the future development of the creative industries in our region is going to be very strong and will continue to grow. This is an exciting area that has a lot of potential, and the partners want to continue working together.” n

PARTNERSHIP PROFILE 3

City Global Futures is a small, independent research consultancy that focuses on smart, sustainable and inclusive futures. The business is deeply rooted in the West of England with a presence in both Bath and Bristol. However, many of the issues and opportunities it works on with clients are globally relevant. This was certainly the case with the Connecting Bath research report (2021), which focused on the importance and value of high speed digital connectivity to the city.

The research highlights that cutting edge, private digital networks are seen as essential to the city’s future connectivity mix. However, so is improving Bath’s current, ‘everyday connectivity’, which is seen as falling short of where it should be.

The report welcomes the current roll out of ‘Gigabit Fibre’ and identifies five different ways in which cutting edge connectivity

Little Lost Robot CIC makes immersive digital and installation artwork about otherness, wellness and inclusivity. It uses its work to demystify creative technology, co-creating artwork with communities with the aim of bringing visibility to the contemporary pressures on standards of living and reimagining more humane futures for public spaces.

They received funding to help them to begin hosting ‘In The Meanwhile’ spaces, bringing immersive, interactive digital artwork to empty shop units in central Bath. This provided deeply valuable interaction with public audiences and elicited awe and wonder from visitors. Phase Two of In The Meanwhile offered artist residencies working alongside Little Lost Robot to develop technological creative practices, incubation to rebuild confidence in making and teaching art in an unpressured environment, and free workshops open to the public. This culminated in a makers’ market and a trail of light-based artworks, illuminating empty windows.

Targeted support from Bristol + Bath Creative R+D helped Little Lost Robot to develop and test its business model and develop in-depth knowledge about the ins and outs of hosting meanwhile spaces and the relevant legalities.

Now you can find them hosting a creative space on Twerton High Street every Tuesday to Friday, occupying a pair of empty shops for free drop-in activities, providing free lunch and refreshments, chats and good company, plus a play area for preschoolers. Find out more or get involved by visiting: lostrobot.org; instagram.com/studiolostrobot; facebook.com/studiolostrobot

might bring value to Bath. These are, a Market-led Approach; a Smart City Approach: a Venue-led Approach; an R&D Testbed and Digital Neighbourhoods. In conclusion, the report suggests that the real power is in adopting not one approach but all of them with the aim of building a strong, interconnected creative digital eco system.

Bath and North East Somerset Council has actively responded to the issues raised through the research, creating a crosssector Connectivity working group to support the newly formed Future Ambition Board.

For the City Global Futures the research provided a valuable springboard into new areas, such as the future of transport and mobility and re-imagining a ‘post growth’ economy.

CityGlobalFutures.com

5 Easy steps to change your acccountant

It’s difficult to overestimate the importance of having an accountant that can not only meet your technical needs and keep HMRC off your back, but who also really understands your personal and business goals and can support you in how to achieve them.

A great accountant should take the initiative in preparing you for life’s financial twists and turns, not just explain the options but give you expert guidance and advice you need to make an informed decision. They should look at your business and family life as a whole and help you come up with an integrated financial plan that takes account of both.

In fact the most common reason we are given by prospective clients –either business or individual - who are looking to swap is that their current accountant is not proactive enough in advising them. Sometimes, of course, the issue is simply that as your business grows or your life changes you may need an accountant with a broader range of skills.

But even if they don’t feel they are getting the help they need, many remain with the same firm because they fear the upheaval of switching. In fact, however, in most cases changing your accountant can be a lot easier than you think, with your new accountant doing most of the work to ensure things run smoothly

Here’s the 5 simple steps it takes to switch your accountant.

1. Let your current accountant know your plan

Contact your current accountant advising them that you are planning on changing firms and asking them to provide any information requested by the new accountants. You should also use this opportunity to confirm whether there is any outstanding work to be completed.

2. Registering with your new accountant

The process for this can vary between firms. At Richardson Swift you will meet with a director who will spend some time understanding your needs. They will take your details and pass them on to our on-boarding co-ordinator who will register you as a client. Under UK law, your new accountant must carry out anti-money laundering checks on you, so you will be asked to provide a scan of your passport or driving license and a recent utility bill, as well as other personal or business details such as email address.

3. Sign a 64-8 form

This will authorise your new accountant to deal with HMRC for your personal and company tax affairs. Alternatively, you can use HMRC’s online authorisation service to complete this step of the handing over process.

REASONS TO CONSIDER A CHANGE

•A declining or poor level of service where, for example, your accountant is not responsive to your needs

•You have received poor advice from your accountant resulting in issues with HMRC

•Your current accountant is unable to handle urgent matters

•Your accountant is about to retire and you’re looking for a fresh, new start

•Your accountant is not proactive in keeping you informed of tax changes and making sure you are as tax efficient as possible.

4. Read through the Letter of Engagement

You will be sent this by your new accountant and you will probably be expected to provide a signature to confirm you are happy with its contents. Make sure to read through it carefully as it sets out the expectations and requirements between you and your new accountant.

5. Letter requesting Professional Clearance

Your new accountant will write to your previous one requesting what is known as professional clearance. This explains to your previous accountant that you have contacted the new accountant to represent you and if there are any professional reasons as to why they should not accept the appointment. The letter requesting documents from the previous accountant will include a request for any copies of accounts, tax records, tax returns and any other information they may need. Just a few weeks later, all your accounting information should have been safely transferred to your new accountant and you’re ready to move forward with your new adviser!

Not getting what you need from your accountant, then make a change! Debbie Boulton explains how switching firms is easier than you think…

EDUCATION NEWS

Top of the comps

Multiply the maths

The Junior School at Wells Cathedral School has been renamed ‘Wells Cathedral Prep School’ . Wells Cathedral School Junior School was founded in 1948, and this year celebrates its 75th birthday. The school continues to go from strength to strength: pupil numbers are increasing, in 2022 the Pre-Prep were finalists for two major national awards, and the school’s reputation for excellence and creativity is higher than it has ever been.

A new name at 75

The new name has been agreed by the School Governors after hearing from families who reported being confused by the name “Junior School”. The fact that there already was a ‘Pre-Prep’ caused some confusion, with one pupil memorably asking during an assembly: “how can you have a Pre-Prep without the Prep!?” Finally, given that the vast majority of its pupils are ‘prepared’ for entry to the Senior School the new name better represents the aim of a ‘school within a school’.

The structure and governance of the school will remain the same, with pupils attending the Prep School until the end of Year 6, before progressing to the Senior School on the same site. wells.cathedral.school/prep-school

The Times has named Ralph Allen School in Bath as one of the best comprehensive schools in the south west, based upon combined attainment grades achieved at both A-level and GCSE. Staff and students are extremely proud of this accomplishment and firmly believe in their ethos of developing the whole person, which has a positive impact on attainment and character. A huge range of sports, clubs and co-curricular activities are woven into the experience at Ralph Allen. Excellent sports provision is just one piece of the puzzle as the hard work of teachers, students and parents all contribute to the exceptional A-Level and GCSE results each year. ralphallenschool.com

Businesses are being encouraged to help staff develop their numeracy skills by signing up for a new national training initiative to be delivered by Bath College in partnership with Bath & North East Somerset Council. Multiply is a new national Skills for Life initiative, funded through the West of England Combined Authority (WECA), that has been designed to support businesses to invest in their workforce.

The council’s Achieve in B&NES team is working with the college to deliver a programme of free tailor-made industry/sector short courses to help local employees become more maths confident in the workplace. These introductory short courses or one-off workshops will be delivered in the workplace, online or at local community hubs. Bespoke courses could include: working with databases to build in formula; understanding how to work out accurate costings; working with money, including discounts and mark-ups; feasibility or understanding ratios and proportions. Find out more by emailing achieve@bathnes.gov.uk or acl@bathcollege.ac.uk

From page to screen

It’s the Age Old Debate: can the film ever be as good as the book? Whether you’re a die-hard-book-believer, or a silverscreen-supporter, Daisy Game gathers together a selection of 2023’s best page to screen adaptations

ABOVE: The notoriously ‘unfilmable’ White Noise, starring  Adam Driver | Wilson Webb/Netflix

RIGHT:  White Noise, Pan Macmillan, £9.99

BELOW:  The Lying Life of Adults: the third Ferrante to be adapted for screen | Eduardo Castaldo/Netflix

LEFT:  The Lying Life of Adults, Europa, £8.99

Hold onto your popcorn, people –Hollywood’s Coolest Couple (not up for debate) have had a crack at adapting Don DeLillo’s White Noise. Noah Baumbach (directing) and Greta Gerwig’s (starring) latest flick has divided audiences; Literary Hub celebrate White Noise as “vibrant, unafraid and compelling”, whilst to The Guardian, it’s of the more “laboriously quirky” variety. Story and dialogue are certainly dense, and with plot points including an ‘airborn toxic event’ and a supermarket dance-off, there’s plenty to chew on –you just may need a break or three in order to enjoy the full meal. But White Noise, curious as it may be, is worth a watch – if only for Gerwig’s excellent wig. netflix.com

Elena Ferrante’s The Lying Life of Adults throws its audience through a loop of the less confusing, more cerebral kind. The Italian author’s (relatively streamlined, by comparison to her Neopolitan tomes) coming-of-age tells the story of Giovanna Trada, whose life takes a turn for the strange after she overhears the beautiful Mr and Mrs Trada discussing how ‘ugly’ their daughter has become. Ferrante has been doing pretty well for herself –whoever ‘herself’ may be: the Italian novelist’s identity remains a mystery –in the page-to-screen department. Picked up by Sky back in 2018, the writer’s Neapolitan novels kicked off a cultish craze for all things Elena; Netflix were next to bite-the-bait, assembling a trendy team (Maggie Gyllenhaal, Olivia Coleman, Paul Mescal) for its critically acclaimed adaptation of The Lost Daughter (2022); now, it’s the turn of Adults –and once again, the goods have been delivered. The series is incredibly stylish – from cinematography, to wardrobe, to toe-tapping soundtrack – and oh-so-

Ferrante (light, carefree conversation –begone). This is beautiful, absorbing television. Streaming now at netflix.com

Let’s hear it for Netflix! The streaming service turned mega-movie-churnerouter is dominating the adaptation game, having recently bagged production rights for Guillermo Del Toro’s stop motion animation, Pinocchio (the original story for which comes from Italian author Carlo Collodi’s novel of the same name). As is the Del Toro way, Pinocchio sports a strong political backbone; set against the backdrop of Facist Italy during the interwar and Second World War periods, the Oscar winning director’s latest features some fairly unsavoury characters and plot points beneath its more family-friendly exterior. It’s not scary, exactly, but it is unsettling – and strangely moving. Pinocchio is a story about life, love, identity –and the little power that we have over any of them. Streaming now at netflix.com

From Facism to Fleetwood (Mac), Amazon Studios is giving Taylor Jenkins Reid’s Daisy Jones & the Six a hollywood makeover. Jones’ bestseller documents the journey of a rock ‘n’ roll outfit from the ’70s (thought to be based on Fleetwood Mac) as they rise to fame on the LA music scene –before crashing back down again. The first-look pictures are fabulous; Sam Claflin and Suki Waterhouse lounging about in bell-bottoms and bigger-than-big hair seems like a sensible thing to get excited about. Daisy Jones & the Six will arrive on Amazon Prime on 3 March. amazon.co.uk/amazonprime

Reid’s isn’t the only tuneful adaptation to hit screens this year; perhaps the most hotly anticipated of all 2023 adaptations, Alice Walker’s The Color Purple is getting a musical reboot –with none other than American icon/institution Oprah Winfrey at its helm. The Pulitzer prize-winning novel tells the story of Celie, a young black girl born in the deep American South to a life of segregation and poverty; but when Celie meets glamorous and headstrong singer Shug Avery, things take an unexpected turn. Oprah is no stranger to Walker’s text, having starred in Steven Spielberg’s first screen adaptation of the novel back in 1985. The 2023 version will be directed by Blitz Bazawule –and Spielberg returns to help out on the production side of things. The Color Purple arrives in cinemas on 20 December. Time enough for a re-read, then. n

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Explore the lakes of the south west

Whether your passion is watersports, angling, walking, cycling or simply enjoying nature with loved ones, you’ll find the perfect escape at South West Lakes’ picturesque locations in Cornwall, Devon and on Exmoor this spring

Book your spring getaway now at one of South West Lakes’ five lakeside campsites. Choose between the majestic Wimbleball Lake on Exmoor (a two-hour drive from Bath) and the idyllic Roadford Lake on the edge of Dartmoor or experience a different view of Cornwall at Tamar Lakes near Bude, Siblyback Lake near Liskeard or Stithians Lake near Redruth. With footpaths and cycle trails to explore, woodlands to discover and play areas to enjoy, everyone can get involved and benefit from being outdoors. It’s your outdoors – come and explore!

Wimbleball Lake, Exmoor

Nestled within the rolling hills of Exmoor National Park, this 530-acre lake has something for the whole family to enjoy. The family-friendly campsite has five bell tents, two wooden camping pods and a cabin as well as a choice of hard standings, electric and non-electric pitches for tents, motorhomes and caravans. You can hire a fire pit, purchase wood and charcoal made onsite, rent a telescope and discover why Exmoor National Park is a designated Dark Skies Reserve.

Hire watersports equipment, launch your own or learn something new with the friendly and knowledgeable instructors. Tackle the high ropes course or hit the bullseye on the archery range. You’ll also find a packed programme of activities during the school Easter, May half term, summer and October half term holidays.

Explore Exmoor and walk to Haddon Hill from Wimbleball. Look out for the range of wildlife at the lake, such as the iconic Exmoor ponies and deer. The closest town to Wimbleball is Dulverton but it’s also worth venturing slightly further to explore the popular towns and villages of Tiverton, Porlock, Minehead, Watchet, Wiviliscombe, Taunton and Wellington. The campsite opens on 1 March.

Roadford Lake, Devon

Surrounded by countryside, and nestled amongst the beautiful surroundings of the Wolf Valley with the dramatic tors of Dartmoor as its backdrop, Roadford is the perfect location for your next family escape. The scenic campsite offers a choice of spacious electric and non-electric pitches for tents, caravans and motorhomes as well as a fantastic bell tent called Bertie. A new play area opened last year, next to Roadford Lake Café.

Hire watersports equipment, launch your own or learn to kayak, canoe, paddleboard or sail with the activities team. You’ll also find a packed programme of activities during the school May half term and summer holidays as well as at weekends in June and July. Roadford is also one of the best brown trout fisheries in the UK, with 700 acres of fishing to explore by boat or bank.

Roadford is the perfect base to explore the spectacular Dartmoor National Park. Enjoy a day trip out and discover some more of South West Lakes’ Dartmoor sites including Burrator, Fernworthy, Meldon, Avon Dam, Kennick, Tottiford and Trenchford. Within easy reach of Roadford are the historic towns of Launceston and Okehampton and some of the best beaches in Devon and Cornwall are less than an hour away. Campsite opens 10 February.

Siblyback Lake, Cornwall

With the striking backdrop of Bodmin Moor, a designated International Dark Sky Landscape, Siblyback Lake lies within the Cornwall Area of Outstanding Natural Beauty. Right next to the lake the small campsite has a choice of electric and non-electric pitches for tents and motorhomes.

Watersports equipment hire and self-launch is available when the Activity Centre opens in May. Stithians is also renowned for its fly fishing. It is regularly stocked with rainbow trout and home to a

large population of resident brown trout. A must-do on your visit to Bodmin Moor is Dozmary Pool, where, according to legend, King Arthur rowed out to the Lady of the Lake and received the sword Excalibur. Campsite opens 28 April.

Stithians Lake, Cornwall

Surrounded by farmland and moorland, Stithians is the largest inland water in West Cornwall. Stithians Lake’s family-friendly campsite has a choice of electric and non-electric pitches. If glamping is more your style, you can stay in one of the luxury bell tents, furnished with comfy double beds and the option of camp beds for up to two children. Everything you need will be in your tent, including storage for clothes, bean bags, fairy lights, lighting and a charging point for your gadgets. Each bell tent has an undercover outdoor cooking area with table and seating.

Hire watersports equipment, launch your own or learn to kayak, canoe, paddleboard or sail. You’ll also find a packed programme of activities during the school Easter, May half term and summer holidays. The lake is open for fly-fishing from March to November. Cornish landmarks the Minack Theatre, Glendurgan Gardens and Pendennis Castle are all within easy reach. Campsite opens 1 April.

Tamar Lakes, Cornwall

Tamar Lakes are bordered by peaceful countryside and tucked away on the Cornwall and Devon border. The campsite has a choice of electric and non-electric pitches for tents, caravans and motorhomes. Alternatively, the onsite four-berth glamping pod is perfect for families not wanting to travel with lots of camping gear. It’s furnished with two bunk beds, a table and chairs, cutlery and a cool box. There is a solar powered light, but no other electricity supply – so it’s not really cheating, right?

Hire watersports equipment or launch your own. Upper Tamar Lake is also renowned for its carp and match-fishing. The Cornish coastal town of Bude, with its sea pool and popular beaches, is nearby. Under an hour’s drive from the lake are Dartmoor National Park and the ever popular beach resort of Newquay. Campsite opens 31 March.

South West Lakes is an independent charity dedicated to caring for and enhancing the region’s reservoirs and lakes. Your support helps keep these places special for people and wildlife.

swlakestrust.org.uk/activities

Face first

Delving deep to understand your skin is the key to transforming it, says Crystal Rose. That’s where Eva Clinic comes in

Nestled five minutes outside of the city lies Eva Clinic, and certified aesthetic therapist Ewelina. With roots in an acclaimed aesthetic clinic in London, she has years of experience delivering effective skincare treatments to a portfolio of clients. She’s also a fully qualified VTCT trainer and exam assessor, sharing her knowledge and training the next generation of therapists through the Azalea Beauty Academy.

Stepping into the new purpose-built clinic (complete with private offstreet parking), I’m immediately met with fresh coffee, delicious treats and a warm, welcoming environment. We discuss my current skin condition and routine, as Ewelina offers her professional advice and suggestions to help me day-to-day. Note: SPF50 is great, but really it’s PA++++ coverage (offering PPD protection of 16 or more) that you seek – you’ll thank your younger self for the sun-blocking coverage later.

Enter: the OPATRA DOME. An advanced facial skin detection system that deeply analyses through state-of-the-art digital, spectrum imaging technology. 3D images highlight moisture levels, pigmentation, pores and texture before creating a personalised report. It’s here that Ewelina really assesses my skin, dishing out her expert aesthetic and beauty advice – complete with her personal recommendations. After this comprehensive analysis and consultation, we opt for the HydraFacial.

For those not acquainted with the HydraFacial, it’s a patented Votex-Fusion system that’s packed with multiple steps to deep-clean, exfoliate and hydrate skin. With no downtime, the non-invasive treatment immediately rejuvenates skin. The best bit? Your facial is completely bespoke to you, with additional stages depending on your skin condition and type. Ewelina gets to work, extracting debris painlessly from my pores after cleansing and uncovering a new layer of skin through gentle exfoliation and resurfacing. Typically there’s five stages in this treatment, but Ewelina opts for medical-grade peels,

microdermabrasion and galvanic stimulation – think low-level currents that stimulate collagen production, boost circulation, and minimise wrinkles. Then comes radiofrequency rejuvenation – a non-invasive treatment that uses heat energy to prompt collagen and elastin production. My skin is intensely hydrated and detoxed through lymphatic drainage. My face is saturated with peptides and antioxidants and I left feeling intensely nourished – with a final layer to keep on overnight.

After a 90-minute treatment, it’s not just glowing, hydrated and visibly brightened skin that I leave with, but a highly considered list of suggested products and treatments that’ll help keep my skin at its best. Ewelina is on hand to support with personal aftercare and I am filled with fresh knowledge on what does and doesn’t work with my skin. As for the result –my skin is radiant for days, blemishes clear up quickly and hyperpigmentation visibly improves. To see the best results, it’s recommended to enjoy a HydraFacial every four to six weeks. Consider me sold. I think it’s safe to assume that I’ll be adding this to my list of regular beauty must-haves.

It’s worth noting, that to understand how to treat your epidermis, first you need to get to know your skin. And I mean, really know it. Luckily for us, we’ve got Ewelina and the OPATRA DOME to deliver an in-depth analysis, personalised report and expert advice. And thanks to them, I’ve never felt as educated and determined to keep my skin looking and feeling its best. Just don’t forget the daily SPF PA++++, collagen and vitamin C – those are non-negotiable. n

Digital Facial Skin Analysis and HydraFacial, £120, and a special £20 discount for Bath Magazine readers for HydraFacial treatments in February. Eva Clinic; evaclinicbath.com; 07507 420244

The best bit? Your facial is completely bespoke to you, with additional stages depending on your skin condition and type

• Manicures and pedicures

• Waxing

• Electrolysis

• Eyebrow and eyelash treatments

• Semi permanent makeup for brows, eyes and lips

• Facials and skin care

• Peels

• Microdermabrasion

• Cryotherapy for wart, skin tag and pigmentation removal

• Ipl for permanent hair reduction, skin rejuvenation and facial thread vein treatment

• Vaginal tightening

• Body treatments for fat loss, toning, skin tightening and cellulite

• Dr led wrinkle reduction treatments, fillers and non surgical face lift

• Diet and nutrition advice

• Food intolerance, hormone testing and menopause advice

The bridges of Bath

This month’s walk by Andrew Swift follows the river through Bath and includes a celebratory stroll across the city’s newest bridge. En route, he looks at the stories behind some of Bath’s other bridges, recalls the city’s largely forgotten role as an inland port and pays tribute to Stothert & Pitt (S&P), once the city’s biggest employer

Start this walk by heading down Bridge Street and crossing the most famous bridge of all – Pulteney Bridge, designed by Robert Adam and opened in 1774 to provide access to the Bathwick estate which William Pulteney was keen to develop. Go down steps on the right at the end and follow the path alongside the river. After 200m, as you pass the second flight of steps leading down to the river – guarded by a locked gate – look down to see a plaque commemorating the first cargo to arrive in Bath by boat on 16 December 1727. This was achieved by constructing locks to bypass a series of weirs downstream and marked the city’s birth as an inland port. Very few boats made it this far upstream, however – we will see where they did dock shortly.

Ahead lies North Parade Bridge, built in 1836 of cast iron, and clad in stone when it was strengthened in the 1930s. Next comes St James’s Bridge, carrying the railway, and still monumental despite its Bath stone being patched with brick. In January 1841, as it was nearing completion, floodwaters swept away the scaffolding holding the masonry in place. It collapsed and work had to start all over again. Carry on under the bridge, and after 100m you pass a litter bin. This marks the approximate point where a tramway carrying stone from Ralph Allen’s quarries at Combe Down terminated at a wharf, from which it was shipped out to Bristol and beyond. The river has since been reprofiled and no trace of the wharf survives.

After crossing a bridge over the entrance to the Kennet & Avon Canal, turn right along the riverside path. This leads under a metal footbridge, built to replace a wooden bridge which collapsed, killing ten people, when a crowd surged onto it in 1877. It cost a halfpenny to cross the original bridge; its replacement was toll free but is still known as Halfpenny Bridge. The flood markings under the bridge give an idea how often the city was inundated before flood prevention measures were adopted in 1972.

Next comes Skew Bridge, carrying the railway back over the river at an oblique angle. This too was originally built of wood, but rebuilt in iron after the collapse of Halfpenny Bridge. At the end, turn right across Southgate Footbridge, and on the other side stop just before the bike stands. Bath’s first bridge – the only way across the river until Pulteney Bridge opened – crossed the river here. Known as the Old Bridge, it was in line with Southgate Street, and once had a chapel halfway across. It was demolished in 1964 and replaced by Southgate Footbridge and Churchill Bridge, to your right, which was named in honour of Sir Winston, who died in 1965, the year it opened.

West of the Old Bridge lay Broad Quay; beyond was Narrow Quay. Lined with workshops and warehouses and with a combined length of over 250m, it was here that most boats from Bristol moored up. The

quays survived until the 1970s, but all trace of them has since been swept away. Carry on across two zebra crossings to follow the course of the old quays, now landscaped and rebranded as Bath Quays North, and looking across to a row of repurposed factories. Shortly after reaching the end of what was once Narrow Quay, turn left across Bath’s newest bridge, as yet unnamed. It leads into what was the yard of Stothert & Pitt’s Newark Works, the first factory to be built on the south bank. Opened in 1857, it was designed by Thomas Fuller, a local architect who later emigrated to Canada and designed the parliament buildings in Ottawa. S&P’s were known as crane makers to the world and a crane constructed here in 1864 is on display in the yard.

At the end of the yard, turn left along a narrow alley onto Lower Bristol Road. Cross at the traffic island ahead, turn right and, after 100m, left along Westmoreland Road. After going under the railway, turn right along Westmoreland Station Road, which served the GWR goods yard. After 125m, turn down an alley under the railway. Carry on past a terrace with Bath-stone ground floors and brick first floors, with a mixed-use development under construction on the right. At the end, turn left along the Lower Bristol Road and carry on past St James’s Cemetery. After passing the Holiday Inn, cross two sets of pedestrian lights ahead, turn right across another set and turn down the road to the right of Take Charge Bikes.

After passing another S&P crane, turn left along Stothert Avenue. In the 1890s, S&P expanded from their original site, and continued to expand until after the Second World War, eventually covering much of the Western Riverside. The two cranes you’ve seen so far give a

misleading impression of their output – to find out why they became so famous you need to visit the four cranes outside Bristol’s M Shed, which were built in Bath in 1951. S&P closed in 1987; work on redevelopment of the Western Riverside started in 2011.

At the end, turn right past Western Riverside’s only surviving bit of industrial infrastructure – a sewage pumping plant opened in 1914, part of which now houses an energy centre powering over 800 nearby homes. Carry straight on at the end towards a large blue object – part of the old Destructor Bridge, named after the council’s waste incinerator or ‘destructor’, and demolished in 2015.

Turn left past Sovereign Point and right across the new Destructor Bridge, before turning right down a ramp on the far side to follow the riverside path eastward. After 200m, another ramp leads up to Victoria Bridge, one of Bath’s architectural gems and as groundbreaking in its day as the Clifton Suspension Bridge. It was built in 1836, pioneering a double cantilever method of bridge design, which was replicated across

the country. It closed in 2010 due to safety concerns, reopening in 2015 after major restoration.

On the other side of the bridge, go down steps to continue eastward along the riverside path, past the site of another part of S&P’s works, beyond which lay the engine sheds and marshalling yards of the Midland Railway. At the end, turn left across a footbridge. The bridge to your right once carried trains into the station you can see ahead; the footbridge stands on the abutments of a similar bridge dismantled after the railway closed.

Cross a zebra crossing and carry on past the supermarket. Ahead is the imposing overall roof of a station built in 1870, a scaled-down version of the Midland Railway’s St Pancras terminus in London. It closed in 1966 and, after it was listed in 1971, was acquired by the council and restored. It is currently under restoration again.

Walk out through the station and head eastward to return to the city centre.

Many more walks can be found in Andrew Swift’s Country Walks from Bath published by by Akeman Press; akemanpress.com

FACT FILE

Length of walk: 3 miles

Approximate time: 2 hours

All on pavements or hard surfaces, with some steps; wet or muddy sections may be encountered on the riverside path. (Note: Some parts of the riverside path were closed briefly last month due to exceptionally high river levels. If they need to be closed again, alternative routes are available.)

Geometric vs organic

Whether you are a pattern fiend or obsessed with statement forms, how do you balance geometric and organic shapes, patterns and structures in your home interior without causing chaos? Take your lead from our local experts...

The ever-shifting trends in interior design can be perplexing. One season it’s bold stripes, zigzags, monochrome and angular patterns; the next it’s biophilic design and curvilinear shapes. What is a person living in an interior, with design standards to maintain, to do? Unless you decorate and refurnish your home annually – which would be ridiculous – you will not be slavishly following these trends. Like any vocabulary, these ideas about what’s ‘in’ are fluid suggestions about design statements and visual effects that can be adopted if you fancy, or ignored if you don’t. Here are some perspectives on the geometric and organic from a selection of our local designers and retailers.

Clair Strong

After many years of geometric designs, curved designs are seeing a surge in popularity in the interior design world. Gentle curves bring an organic vibe to interiors and add interest to spaces which have a lot of straight lines.

The resurgence of curves comes as the interior design world is moving from the more Minimalist aesthetic to a more freeflowing Maximalist look, where juxtaposing organic natural shapes with sharper geometric lines adds a layer of interest to your interior design.

On trend wall arches, scalloped tiles, circular fabric and wallpaper designs, sphereshaped lights, rounded stone bathrooms, curved sofas and furniture are now bringing a relaxed, easy look to our homes. After the pandemic, we are looking for our homes to be a cocooning, welcoming space that is an expression of ourselves.

and create a focal point. Studies have found we respond to circular shapes more positively than more geometric shapes because we are conditioned to find sharp edges and corners harmful and round shapes friendly and approachable.

Line is important in every room design to make a room well-balanced and aesthetically pleasing. In small spaces, curved furniture helps to soften the room and extend the eyeline. In larger rooms, bigger, more sweeping curves create flow and dynamism.

In 2023 we are all embracing a more relaxed and less prescriptive design aesthetic juxtaposing organic, oval shapes with sharper geometric lines.

clairstrong.co.uk

Woodhouse & Law

I love mixing geometric pieces of furniture like a low rectangular ottoman with another angular piece like a curved sofa. If you have a lot of straight lines in your house, an easy way to introduce a curved piece in your home is with accessories like a beautiful piece of ceramic or a large round bowl full of fruit. If you are feeling braver, a sculptural chair or curvy table will work well in a space full of more geometric hard-edged pieces. If you’re looking to subtly add curves to a space, mirrors or artwork with curved frames are the perfect way to add interest

Patterns give energy and pace to a space, completely changing how we feel. There are no hard-and-fast rules when it comes to mixing and matching forms, but a combination is often the best way to go. Lots of clashing pattern can heighten your senses and almost feel chaotic, so we often look for a hero fabric in an organic motif, pairing it with a geometric equivalent so that they don’t compete.

When thinking of geometric shapes, designer David Hicks comes instantly to mind, particularly in those linear, tessellated designs that gained fame and admiration in

Geometric shapes need not always consist of angular, intersecting lines; circles and crescents are just as core to geometry

RIGHT: Urban Axel Tile from Fired Earth; firedearth.com

the 1960s and beyond. More recently, renowned designer and hotelier Kit Kemp is a master at combining contrasting patterns, unifying them through a select colour palette.

Geometric shapes need not always consist of those angular, intersecting lines of squares or rectangles, however; circles and crescents are just as core to geometry. While any such shape can feel very structured and tailored, organic forms tend to offer that softer feel, even if they are bold by the nature of the shapes.

That said, it’s easy to focus solely on patterns within fabrics and wallpapers when considering form, overlooking the opportunity for key items of furniture or accessories to introduce subtle geometric or organic shapes. A chair might offer rounded smooth finishes, while lighting might introduce the same through steam-bent wood or hand-blown glass. When putting together a scheme, we look first at the bones of the space itself and the architectural shapes it already offers; from parquet floorboards to window frames, doorways and staircase, each component intrinsically adding further layers of geometry. woodhouseandlaw.co.uk

Mandarin Stone

Patterned tiles add charm and character to any interior. Whether you opt for bold geometric designs or softer, traditional designs, there are endless options to create the right vibes for your interior.

Our love affair with patterned tiles isn’t a new thing. This endearing tile trend dates back to the earliest civilisations, yet it was the Victorians that really bought them to

the forefront of interior design. Millions of Victorian terraced houses were adorned in geometric patterned tiles; from hallways, porches, fire surrounds and walls. Of course, as with everything, decorative tiles have dropped out of favour at certain points; but in the last half a decade I think it’s become clear they are here to stay. Tiles are just better when they are

patterned. Is it the juxtaposition between the softness of pattern and the hardness of the tiles? Or is it that tiles are usually used in areas with plenty of edges and hard surfaces and patterned tiles somehow counteract this?

Whatever the reason, we do know that they’re beautiful and will ultimately add character wherever used. More authentic patterned tiles, often replicating patterns from eras gone by, are perfect for more traditional properties or where the design schemes edge more on the rustic side. Bold, retro style tiles, often in stronger shades, and eye-catching geometric designs are ideal for creating the wow-factor in maximalist design schemes, and bathrooms are the ideal place to experiment with tiles like this.

If you want to create a bold statement, patterned tiles can be used throughout a space. Otherwise, to add more subtle interest, patterned ceramic and porcelain tiles can be zoned to certain areas, such as shower areas or splash backs. These beautifully decorative

tiles look great on floors in bathrooms when teamed with a complementary, plain wall tile. mandarinstone.com

Fired Earth

Kitchens and bathrooms tend to be linear, with prominent horizontal and vertical lines created from cabinetry and appliances to basins and shower enclosures. Geometric tiles can be a fantastic way to either enhance that effect (perhaps in a minimalist, architectural scheme) or to introduce contrasting or softening shapes and patterns.

For example, the sweeping curves of Fired Earth’s Escalas tiles are the perfect visual foil for the crisp lines of kitchen and bathroom cabinetry, as are mosaics in geometric formats

such as hexagons and chevrons. These can be mixed and matched to create countless effects so they’re really versatile, and even the simplest white rectangular tiles can be used to introduce geometric pattern and texture.

Tiles with a bold motif such as the new Bert & May at Fired Earth Santona tiles, which feature a geometric sunburst pattern, will make an impact even if you only have space for a simple splashback. Picking out a key element of the motif and echoing it in the paint colour or base tile can be an effective way of bringing a scheme together.

Think about scale when using geometric pattern, since a little can go a long way in a compact space such as a bathroom. While wall-to-wall pattern can help draw the eye around a room, creating the illusion of more space, too much pattern can ‘crowd’ a room and make it look smaller. Depending on the size of the room and the scale of the design, using pattern on either the walls or the floor, rather than both, can be a good solution.

Hallways set the scene for a home and so a beautiful patterned floor has a warm and inviting feel and will lead the eye towards the rooms beyond. Tiles such as the new Bert & May at Fired Earth Turrenne design have a classic, subtly geometric look and are made from low-maintenance porcelain, so they’re a perfect choice for busy hallways.

Free-flowing, organic patterns in stones and marbles such as Fired Earth’s new Seaspray Green Marble and North Haven Marble also have a timeless feel, ensuring that the tiles are really versatile. With their complex and dramatic waves and splashes of green, they’re reminiscent of fresh, invigorating seascapes a perfect backdrop to a classic bath or shower. firedearth.com n

Our love affair with patterned tiles isn’t new. This endearing tile trend dates back to the earliest civilisations

MANDARIN STONE

In with the new

Elly West looks at new-build gardens, which provide the perfect blank canvas to create a personal garden that can be styled and curated to suit you at every level

Every garden I visit as a designer offers different challenges. I see a lot of old, neglected gardens in need of renovation and rejuvenation, but at the other end of the spectrum I also see many gardens belonging to new-builds, which are total blank canvases. A typical new-build garden is levelled and turfed, perhaps with functional paving slabs at the entrance and exit points, and stark boundary fences to which the eye is immediately drawn. It amounts to an empty outdoor space rather than a garden, and this can seem overwhelming – particularly to first-time buyers who may never have owned a garden before. However, this offers the perfect opportunity to get creative.

With local governments having to fulfil quotas to meet the housing shortage, new housing estates seem to be popping up everywhere. Although many of these houses look the same from the outside, the gardens are spaces that can be made individual and personal, the chance to start from scratch and tailor it exactly to your needs with plants and materials that you have chosen. Although this can be a good time to call in the professionals, there are many things you can do yourself to get your garden underway.

One of the main challenges that most people want to tackle sooner rather than later is privacy, especially on new housing estates where space is at a premium and houses are built closely together. The maximum permitted height of a boundary fence is two metres, and most standard panels are 1.8m (6ft). A trellis fence topper could gain you a little more height and privacy, but be wary of just trying to raise the boundaries as a solution. New gardens, especially small gardens, can already feel very boxed in by the fences. Better to obscure the boundaries with planting and create focal points within the space so your eye is not drawn straight to the neighbouring houses. Painting the fences a dark colour will help them to recede. Charcoal, black or dark olive-green make a good backdrop against which colourful flowers will pop. Fix up trellis or decorative panels, perhaps even an outdoor mirror, to break up an expanse of wooden fencing.

A carefully placed pergola can help to create a more secluded feel, particularly around a seating area, and is another visual obstruction between you and your neighbours. Quick-growing climbers such as honeysuckle, passion flower or evergreen Clematis armandii are ideal for covering bare fences or a new pergola or arch, providing screening and obscuring and softening the edges. Plant climbers at least 30cm away from the fence, or 45cm from a wall, to enable them to get enough moisture, and fix a simple system of vine eyes and wires between your fence posts to give the plants support.

Pleached trees are another option to give you more height and screening, if budget allows. These have a clear stem, usually to around fence height, then the branches are trained on a flat, square frame above. They may cost several hundred pounds each, bought at a good size and ready-trained, but make beautiful living screens and are ideal for small spaces, as they don’t take up much border space.

Another common challenge with new-build gardens is the state of the ground. There may well be rubbish and rubble left behind, and the soil is often compacted and of poor quality. Once you’ve decided where your planted areas are going to be, it’s time to get digging. Remove any rubble and dig it over to at least a spade’s depth to break up compaction. Add in soil conditioner such as well-rotted manure as you go to give your plants a really good start. Chipped bark makes a good mulch for your newly planted borders, as it helps to suppress weeds, looks nicer than bare soil and will improve the soil structure as it breaks down.

Better to obscure the boundaries of new gardens with planting and create focal points within the space

When planning a new garden, it makes sense to draw it out on paper. Often you will have a scale plan from the building company, which can save you having to measure it yourself. This is especially useful if it’s an awkward shape. Look for ideas in magazines and on the internet, and gather images of things you like. Think about how you want to use the garden, whether you prefer to sit in sun or shade, and what time of day you are most likely to be outside enjoying the space. Decide on your long-term plants first, such as trees and hedges. Larger plants will have the most impact and make your garden feel established more quickly, but can be expensive. Another option is to choose tall grasses and plenty of flowering annuals such as cosmos and nigella for instant impact during your first summer, while shrubs and perennials are still getting established.

If you’re changing the hard landscaping, think about adding pathways so you can get around in all weathers without muddy feet. You may want to choose modern materials that tie in with the colours of the house. Or you may prefer to steer away from the ‘new’ look and go for recycled materials such as reclaimed brick or clay pavers and timber for a more traditional rustic look. Whatever your style, a new-build garden offers the perfect opportunity to start afresh and create the garden that is perfectly tailored to your needs. n

ellyswellies.co.uk

Plant of the month: Snowdrops

The first sign of spring bulbs pushing through frozen soil is always going to be an uplifting sight and a boost to our mood, which is why snowdrops are among my very favourite flowers at this time of year. Galanthus nivalis is our common snowdrop, although there are literally hundreds of cultivated varieties, including giant, double and rare yellow flowers. Most are typically white, with nodding heads marked with green on the inside. Plant them in drifts in a partially shaded site, such as under deciduous trees and shrubs, then leave them alone to form growing colonies. Overcrowding doesn’t bother them, and they will spread both by seed and underground bulb division.

Best results are generally from planting ‘in the green’ – that is, after flowering and before the leaves die back – but they are readily available in pots in garden centres now ready to flower, or you can buy them as dry bulbs in autumn. Plant the bulbs as soon as possible though, as they are small and dry out quickly. Dig a hole that’s deeper than you might expect, around 10–15cm, and incorporate some leaf-mould or compost into the soil when you plant them, making sure the soil doesn’t get too dry over the summer.

Acomprehensively refurbished, immaculately presented and super stylish 3 bedroom

Grade II listed, 3 storey Georgian town house, located adjacent to Royal Victoria Park and conveniently within 15 minutes level walk of Bath city centre.

The property is entered into a small lobby with attractive mosaic tiled flooring which leads through to a pretty hallway with handsome Limed Oak engineered flooring and part panelled walls. To the rear conveniently there is a part glazed door which leads to the garden along with an under stairs utility cupboard. Leading from the hallway there is an impressive double aspect open plan kitchen / dining and living space with a wooden burning stove, built in recessed bespoke storage and double doors that lead onto the paved sun terrace.

The first-floor accommodation comprises a handsome master bedroom to the front with bespoke hand painted built in wardrobes and a lovely picture window with a pretty Juliette balconette. To the rear there is a particularly spacious bath and shower room with a ‘claw foot’ bath and a generous double sized fully tiled and glazed shower. There are 2 further double bedrooms on the top floor, to the front with a lovely aspect, fitted Plantation shutters, built in bespoke hand painted wardrobes and a period fireplace. To the rear a further charming bedroom with recessed shelving and period fireplace.

Externally, accessed from the kitchen there is a pretty walled and paved west facing sun terrace that spans the width of the property. The terrace leads up to a charming well-manicured 2 tier, par terre garden with immaculate Box and Lavender hedging, a mature Wisteria and Rose bushes. In addition, there are 2 large under croft storage vaults and full planning

Cobb Farr, 35 Brock Street, The Circus, Bath; Tel: 01225 333332

Park Lane, Bath

•Stylish, newly refurbished accommodation

•3 double bedrooms

•Contemporary open plan wellfitted kitchen

•Open plan living/dining room with wood burning stove

•Planning permission for extension to create guest cloak room

Guide £780,000

Bridge Street, Bradford-on-Avon

Guide Price £400,000

A delightful riverside 2 bedroom stone built cottage, situated in the heart of the historic market town of Bradford on Avon.

• 2 double bedrooms

• Central, riverside location

• 2 private parking spaces

• Conservatory

• River views

Pickwick Cottage, Holt

Guide Price £375,000

A charming and attractive double fronted Grade II listed cottage set in the heart of this sought after Wiltshire village, offering 3+ bedrooms, private gardens and no onward chain.

• 16th century Grade II listed property

• 3 bedrooms

• Period features

• Within the popular village of Holt

• Bradford on Avon lies approximately 2 miles away

Claremont Place, Bath

£850,000

An elegant semi-detached Grade II listed 3-bedroom Georgian villa of handsome proportions retaining a wealth of period detail,located in a fine elevated position, enjoying wonderful far reaching panoramic viewings of Bath and conveniently within 15 minutes-walk of the city centre.

• 3 double bedrooms, 2 shower/bathrooms

• Elegant formal drawing room

• Dining room and well equipped kitchen breakfast room

• Wealth of period detail

Are you aware of the changes to business rates for holiday lets?

The changes

From 1 April 2023, new business rates eligibility rules will be applied to self-catering properties in England and, if you fail to meet these requirements, your holiday let will be required to pay council tax. According to the Government website, to be eligible for the new April business rates your property must be:

•available to be let commercially for short periods that total 140 days or more in the previous and current year.

•actually let commercially for 70 days or more in the previous 12 months. (gov.uk)

To establish whether your property was let on a certain day, the government’s Valuation Office Agency (VOA) will check whether your holiday let was occupied immediately before midnight. In other words, if you let your property out from, say, Friday evening to Sunday morning, this would be classed as a two-day let under the new self-catering criteria.

With all its grandeur and historical importance, the Roman city of Bath has long been a destination to visit. In years gone by it was for the ancient Roman baths, though now many tourists prefer the Thermae Bath Spa as a modern alternative, where you can bathe in the only natural thermal hot springs in Britain. Tourists bring millions of pounds to the local economy each year, which is why it’s no surprise that the area is filled with holiday lets. Many of these are privately owned – if you are such an owner, are you aware of the changes to business rates happening this year?

Business rates

Properties that are let for commercial gain are taxed, with the funds used to help finance local services. Similar to the council tax paid for domestic homes, business rates are paid to local authorities and are charged on self-catering holiday lets and most non-domestic properties. Some changes to these business rates have been announced and will be coming into force in April this year.

The current rules on business rates for holiday lets, which apply until 31 March 2023, mean that if your English property is available for let over short periods (at least 140 days) for 20 weeks per year, it is classed as self-catering and thus valued for business rates.

These new rules only apply to those properties classed by the VOA as self-catering holiday lets and not to other kinds of holiday accommodation, such as guest houses, hostels, and hotels. It is worth noting that there are no exceptions within the new eligibility rules – they apply equally to all self-catering accommodation within England and Wales.

The changes have been designed with the intent to protect those genuine holiday let businesses that benefit Bath. It is aimed at preventing second-home owners from leaving their properties empty for most of the year but still benefitting from the preferential business rates instead of paying council tax.

Valuation officers from the VOA will be conducting a rolling audit programme of all properties listed as self-catering to ensure that they meet the new eligibility rules. The information that is required must be provided on a Request for Information’ form, which the government state they will send out at a later date. Penalties will be issued for any forms not returned on time.

At The Apartment Company, we have a number of second-home owners; if you are unsure of how the changes to the business rates affect your property, do get in touch with our lettings team on 01225 303870.

5 key marketing tools to help sell your home

Exquisite brochures

Every home is unique. Brochures should reflect their style, period and lifestyle with the use of professional photography, beautifully crafted copy and vendor interviews which together help present a home and its character in the best light, whilst offering a true insight into what it’s like to live there and in the local area. They’re one of the best ways to catch the eye of potential buyers and make a house or apartment stand out above the rest.

Property styling

In the current market property buyers are more cautious about how much they spend on a property. This means to attract their attention, your home needs to stand out from the crowd with sophisticated presentation, whilst promoted to the widest possible audience via a good marketing campaign that goes beyond just listing on the property portals.

Our Founder, Peter Greatorex, explains five essential marketing tools sellers should ensure their chosen estate agent is offering, in order to help maximise your chances of selling quickly and for the best possible price…

Professional photography

Photographs are the very first thing a potential buyer sees when looking for their next dream home. They can find these online, in newspapers, magazines, brochures, on an estate agent’s website or in high street window displays. It’s therefore vital they are looking exceptional if sellers are to create that all important good first impression. Buyers can tell quite easily when a house has been photographed by a professional or on an iphone, so you want to be dazzling them come rain or shine to help bring your home to life. For example, factors such as lighting can be a nightmare if you don’t know how to control it in pictures. This is because the time of day and weather conditions can make a huge difference to which rooms look dark or too bright. Angles are also very important, as is property styling and seasons. Whilst twilight shots add another layer, providing a vivid contrast between the warmth inside your home and the sun setting, helping to capture attention and create a lasting impression.

National PR

National newspapers and magazines write about the property market every week. By using an estate agent who has a PR team continuously working with top property journalists to place your home in the likes of Country Life, Sunday Times, Daily Telegraph and The Week, your home can be given widespread exposure, targeting the lucrative London, international and UK markets.

It is often those little finishing touches that can make the biggest difference in creating that ‘wow’ impression for buyers, and this is where property styling can play a big part. A good estate agent, as well as their professional photographer, should suggest how to stage your home to help deliver exceptional photographs and exude the aspirational lifestyle your home offers. For example in winter, images will look amazing with the fire lit alongside carefully placed throws and cushions, whilst in summer, neatly laid outdoor furniture with fresh flowers or a basket of fruit on can help reinforce the appeal of alfresco dining. Kitchens displayed with bunches of fresh flowers or scones with jam are also very attractive. Other tips include ironing out your bedsheets, putting the toilet seat down, moving your cars out of shot, turning interior lights and lamps on and removing anything unsightly outside your windows that could be captured in a photograph.

Professional videos

Video is an essential tool today, especially as over 80 per cent of internet traffic is video based and this number is only set to rise. Through drone footage, glorious exterior shots and thoughtful interior tours, the quality and artistry shown by a good videographer is exceptional, whilst the storytelling is powerful.

Other marketing tricks we recommend include bespoke social media campaigns, database marketing and targeted mail shots. At Peter Greatorex Unique Homes, we don't rush your home to market. We create a comprehensive and structured marketing strategy and bespoke materials incorporating the above that will give your home the attention it deserves.

For more information visit www.petergreatorex.co.uk or call Peter Greatorex or Sharon Clesham on 01225 904999.

Scan here and see what the market is like for your home

FORSALE FORSALE FORSALE

Georgian · Newly carpeted · Newly decorated · Top floor apartment · Double bedroom · Stunning views · Short walk to city centre · Excellent access to M4 · Ready to move in · No chain · EPC Rating C · Approx. 586 Sq. Ft.

Perfect location · Beautifully presented · Two double bedrooms · En-suite · Private entrance · Spacious private patio · Beautiful communal Garden · Storage vaults · EPC Rating D · Approx. 1228 Sq. Ft.

Georgian · Grade l listed · First floor apartment · Spacious double bedroom · Stunning views over Bath · Close to local amenities · Sought after location · Share of Freehold · EPC Rating C · Approx. 579 Sq. Ft.

Holiday lets permitted · Ground floor maisonette · Two double bedrooms · Private courtyard · City centre location · Recently renovated · Private cellar · No chain · Share of freehold · EPC Rating D · Approx. 820 Sq. Ft

FORSALE

Modern apartment · Popular development ·

Two good sized bedrooms · Lift access ·

Communal gardens · Allocated parking space and visitor permit · Short level walk into city centre · EPC Rating B · Approx. 701 Sq. Ft.

Georgian · Listed · Ground floor · Spacious double bedroom · Stunning restored period features · Breath-taking views over Bath · EPC rating TBC

Central location · Opposite Henrietta Park · Two good sized bedrooms · Lift access · Allocated parking · EPC Rating E · Approx. 989 Sq. Ft

Georgian · Grade l listed · First floor apartment · Two bedrooms · Close to local amenities · Wealth of period features · EPC Rating E · Approx. 777 Sq. Ft.

First Floor · Three double bedrooms · Perfectly kept communal grounds · Highly sought-after residence · Lift access · Allocated parking space · No chain · EPC Rating C · Approx. 1119 Sq. Ft.

Cleveland Walk £2,500 pcm

Available now · Three double bedrooms ·

Unfurnished · Minimum 12 month tenancy ·

Two bathrooms · High specification · 1,163 sq ft - Spacious · Council Tax Band D ·

EPC Rating D

Combe Down £1,950 pcm

Available now · Three double bedrooms ·

Two bathrooms · Balcony over communal gardens · Unfurnished · Gas Central Heating ·

NO STUDENTS · Council Tax Band E ·

EPC Rating B

Henrietta Street £1,350 pcm

Available Now · Unfurnished · Total

refurbishment incl kitchen & bathroom ·

2 double bedrooms · Opposite Henrietta Gardens · New carpets and flooring throughout ·

Suitable Professionals · Council Tax Band C ·

EPC Rating E

Darlington Street £2,750 pcm

Available now · Three double bedrooms · Total refurbishment throughout incl kitchen & bathroom · Nearly 1,000 sq.ft · Spacious Living room · New carpets and flooring throughout · Council Tax Band C · EPC Rating D

Kensington Chapel £2,250 pcm

FULLY FURNISHED · Two double bedrooms ·

Two bathrooms · Stunning individual decor · NO PETS · Gas Central Heating · NO

STUDENTS · Council Tax Band TBC ·

EPC Rating C

Duke Street £1,100 pcm

Furnished · Highly recommended · Ground floor one bedroom · NO STUDENTS - Post Grads considered · Period features · Central zone parking permit · Council Tax Band B ·

EPC Rating E

Batheaston £1,750 pcm

Available Now · Two double bedrooms · Fully furnished to a high standard · Gas Central Heating · Upvc double glazing · Garage & allocated parking · Open plan living/kitchen space · Includes broadband & tv licence · Council Tax Band C · EPC Rating D

Daniel Street £975 pcm

Furnished · Studio apartment with large kitchen · Close to city centre · Suit professional person or couple · Residents permit parking · NO PETS · Council Tax Band B · EPC Rating D

Henrietta Court £1,700 pcm

Available March 2023 · Minimum 12 month tenancy · Two double bedrooms · New kitchen & bathroom · Gas Central Heating ·

Study/Dining Room/Bedroom 3 · STRICTLY NO STUDENTS · Council Tax Band D ·

EPC Rating C (73)